digitalmars.D - [OT] - does IP exist?
- Yigal Chripun (50/57) Aug 15 2008 I've started a new thread so we don't pollute that other one.
- Yigal Chripun (29/29) Aug 15 2008 A reply for Jesse:
- Lars Ivar Igesund (7/9) Aug 15 2008 If a person didn't pay, he is no customer.
- Bruno Medeiros (18/18) Aug 15 2008 I'm just gonna post a small comment with my opinion on this issue.
- Robert Fraser (9/17) Aug 15 2008 Actually, I mentioned not all the users who pirate it would get it
- Bruno Medeiros (7/11) Aug 18 2008 I can't say if eMusic has improved, I've subscribed to it fairly
- Steven Schveighoffer (34/34) Aug 15 2008 I'll make this one post with my opinion, respond if you wish, I won't
- bobef (8/26) Aug 15 2008 I don't know what DMCA is but it does violates free speech in the same w...
- Jesse Phillips (3/66) Aug 17 2008 If you are in a different country, then fine. You are ruled by your
- Jussi Jumppanen (30/40) Aug 17 2008 The copyright law doesn't force anyone to do anything,
- Alix Pexton (31/31) Aug 16 2008 If the concept of what we now call "IP" had never been established and n...
- Jb (43/81) Aug 16 2008 Why do they have a right to use my work but I dont have a right to say h...
- downs (17/125) Aug 16 2008 Sure, I agree with that. And as long as you call it "piracy", and "copyr...
- Jb (32/65) Aug 16 2008 It may not result in a lost sale directly. But if you couldnt get the Da...
- Jarrett Billingsley (14/18) Aug 16 2008 You're a bit low on that figure. CS3 starts at $650, and CS3 extended i...
- Jb (14/23) Aug 16 2008 I dont see why hobbyists and small business have to have Photoshop and 3...
- downs (7/91) Aug 16 2008 Indeed. GIMP has.
- Jb (14/51) Aug 16 2008 Well for sure, Linux has probably lost out aswell because of how easy an...
- Yigal Chripun (9/21) Aug 16 2008 If I could I'd be on Linux only. In fact, I have installed it for my mom
- Mike (8/13) Aug 16 2008 Example: I've bought Ableton Live version 1.5 and upgraded to 5. But I s...
- Manfred_Nowak (10/11) Aug 16 2008 Here you are implicitely exhibiting a fact about yourself and a
- JMNorris (5/6) Aug 16 2008 Just curious: what is the old thread that we're not polluting?
- Yigal Chripun (3/9) Aug 16 2008 The one about "tango vs. Phobos" renamed later to "The death of D" which
- Lars Ivar Igesund (42/42) Aug 17 2008 This thread has been all about works that are meant for sale, books, mus...
- sambeau (6/20) Aug 17 2008 Very well put. Insightful. Full of truth and a splendid argument.
- Manfred_Nowak (13/16) Aug 17 2008 You just claimed, that after someone payed for the work he is allowed
- Lars Ivar Igesund (22/37) Aug 17 2008 I agree that it should be revised to:
- Manfred_Nowak (26/32) Aug 17 2008 Now, that you have made your statement a bit more complex, you
- Lars Ivar Igesund (14/47) Aug 17 2008 Although it may have appeared that way, I didn't set out to define a
- Manfred_Nowak (11/16) Aug 17 2008 I am with you in this. But this does not eliminate the resulting
- Yigal Chripun (11/56) Aug 17 2008 I think you confuse two separate issues here:
- Jb (14/17) Aug 17 2008 No it's not. That's not it at all.
- Yigal Chripun (21/45) Aug 17 2008 again irrelevant.
- Manfred_Nowak (18/19) Aug 17 2008 This might be true in the wording, but if it is true in a higher sense: ...
- Jesse Phillips (6/29) Aug 17 2008 Manfred, I am sorry but I already know how this can be argued against. I...
- Manfred_Nowak (8/11) Aug 17 2008 Let us wait, whether such argument will indeed come up, because it
- Adam D. Ruppe (10/11) Aug 17 2008 Of course not, that's absurd. Consider if you were: if a person was
- Manfred_Nowak (20/23) Aug 17 2008 Not at all, because
- Yigal Chripun (5/29) Aug 18 2008 Huh?
- Manfred_Nowak (14/17) Aug 18 2008 Please recall the assumption, that sexual reproduction is defined to be
- Adam D. Ruppe (29/35) Aug 18 2008 Reproduction is copying:
- Manfred_Nowak (9/12) Aug 18 2008 How can you decide which of two objects is the parent of the other, if
- Adam D. Ruppe (10/15) Aug 18 2008 Age. The one that was there first is the original, and the subsequent on...
- Manfred_Nowak (18/32) Aug 18 2008 Now we are engaged with the core: what is copying?
- Adam D. Ruppe (27/40) Aug 18 2008 Again, these debates are taking too much of my time and I'm getting behi...
- Steven Schveighoffer (8/12) Aug 18 2008 No. You cannot copyright physical entities. You can copyright a pictur...
- Manfred_Nowak (8/9) Aug 18 2008 My appeal requests a higher sense. Please do not stick to the meaning
- Lars Ivar Igesund (8/59) Aug 17 2008 Wow, bad example. Copying a chair is indeed illegal and proven to be so ...
- Yigal Chripun (7/11) Aug 18 2008 are you sure you can put copyright on chairs? that sounds very strange
- Lars Ivar Igesund (9/22) Aug 18 2008 It was about copying the design. Designs are as protected as the written
- Steven Schveighoffer (10/22) Aug 18 2008 You cannot copyright physical entities. You can patent them. However, ...
- Jb (21/67) Aug 18 2008 No it's not. You claimed copyright stops you sharing information.
- Jesse Phillips (8/39) Aug 17 2008 I'm a little lost, are we a legal comity trying to right the copyright
- Manfred_Nowak (12/14) Aug 17 2008 Natural language is full of ambiguities. One can be glad to detect
- Jesse Phillips (11/25) Aug 17 2008 Yes, but the point was that _you_ had an understanding of what was said
- Jb (4/8) Aug 17 2008 A very well reasoned and elloquant post.
- Jesse Phillips (23/87) Aug 17 2008 Alright, let us start from the beginning. What is a right, who gives us
- Yigal Chripun (6/8) Aug 17 2008 Let's do this another way. Instead of me trying to explain my POV again
- Jesse Phillips (32/42) Aug 17 2008 Adam D. Ruppe wrote:
- Yigal Chripun (6/58) Aug 17 2008 Do you own a mouse? not a real live one, but one that is connected to a
- Jesse Phillips (8/69) Aug 17 2008 server=news.digitalmars.com&group=digitalmars.D&artnum=75179
- Jesse Phillips (31/95) Aug 17 2008 Christopher Wright wrote:
- Jesse Phillips (75/139) Aug 17 2008 Adam D. Ruppe wrote:
- Adam D. Ruppe (55/81) Aug 17 2008 Oh dear, I'm going to regret getting involved in this thread. I should
- Jesse Phillips (12/121) Aug 18 2008 "Why is the creation of this document justified? We are going back to ou...
I've started a new thread so we don't pollute that other one. Lets start from the beginning: we live in a democracy which is a compromise between the right of the individual and the rights of the community he belongs to. One of the rights of the community is the right to public access to any idea/artistic creation any individual has published. The idea behind both laws, patent law and copyright law, is very similar even though they serve two distinct purposes: they give an exclusive time-span to the creator after coming forward with the creation on the expense of that right of the public in order to make it worthwhile for individuals in the community to come up with new ideas and to encourage new ideas and new creations. to answer the specific issues raised: Robert wrote:Anyways, music is a pretty bad example, since most online music sites are crap, record companies don't pay artists well, etc., etc. Let's restrict our domain to software, since we're both creators of software (I'm guessing) and it's our work that's being ripped off. Say you quit your day job, took out a loan, and spent two years, 10 hours a day developing a Photoshop-killer. Would you think people had the right to use it without paying you?"Yes, people do have the right to use any software I create and put out in the open. The question you should have asked is this: "_what_ is you business model for such a situation?" there are tons of possibilities: I could sell support and consulting services (if it works for Red Hat..) for example. all depends on the size and complexity of the product. say I developed an IDE ( I like IDEs..) I can also make my living by developing custom plugins ordered by customers. What's important to realize is that Software is a service not a product. and each service needs to have its own business model (so the business model appropriate for say an IDE won't suit an online game). I know we are developers and all we want to do is just write code and get paid for it but unless you have a viable business model that's just wishful thinking. next point: you talked about online alternatives like netflix, itunes, etc. I'll assume you live in the US, and as such you live in a bubble. all those services are limited to the US and Canada. I live in Israel and none of those sites will let me in. Last I checked I tunes only recently allowed for people from Israel to get in and to a very limited subset of stuff (only software, I think). Therefore those are not alternatives for me. Most of the piracy doesn't come from the US where those services are available but from other countries where the "legal" options are much more expensive and no viable "legal" solutions exist. To address Mike's post: Your entire post is based on the wrong assumption that software is a product and not a service (of free information). hence, your business model is wrong. When the dinosaurs lived 65 billion years ago, there was plenty of oxygen in the atmosphere, when that went down a notch they couldn't breath and got extinct and replaced by more efficient breathers (mammals). The fact is that the level of oxygen were reduced. the choice was to either breath more efficiently or die. same goes here - you need to adapt to the environment not the other way around. you want to make money from your software? than come up with a viable business model. Do not expect everyone to bend over for you. the free market isn't that much different from nature. you don't adapt, you get extinct. I'll say it one more time: "The customer is always right". that's the gist of it.
Aug 15 2008
A reply for Jesse: you've said: <qoute> The owner also has the right to limit the medium to which his product can run. While I think these things, DRM, are stupid it is still their right, and thus I decided not to buy it. Unfortunately that is how the free market work. It is not a matter of, If I want the product I can access it by any means necessary, but I can either live with the choice of the author or boycott it. And boycotting fails because of the number of people that go with option 1. </qoute> In fact, DRM is illegal. copyright law and patent law both give the author a defined time span of exclusivity. after that, the information becomes public domain. DRM is not limited by that time span and therefore violates the law. (if i buy a DRMed file and the allotted time span have passed than the information legally is Public domain and I should be able to do with it as I see fit. DRM violates this right. you also asked: <quote> Question, a lot of your argument rides on the one that pirated either getting others to buy the product or purchasing other products from the creator. What if none of that happens and the creator makes no money on said pirate, is it still not stealing? </quote> yes, this is not stealing. stealing is not defined by money. If I stole your car and left you the exact amount it would cost, did I just buy your car or steal it? stealing is taking (not copying) from you something that is yours without permission as bobef said in his post.
Aug 15 2008
Yigal Chripun wrote:I'll say it one more time: "The customer is always right". that's the gist of it.If a person didn't pay, he is no customer. -- Lars Ivar Igesund blog at http://larsivi.net DSource, #d.tango & #D: larsivi Dancing the Tango
Aug 15 2008
I'm just gonna post a small comment with my opinion on this issue. Pirating music,movies,games,etc., is not the same as stealing physical things. Like Robert mentioned before, in most cases of pirated stuff, if you could not pirate it, it wouldn't mean you would be buying the stuff, so you are not really stealing *money* from the person/company that made the stuff. That said, that doesn't change in any way the fact that you had no right to do that (piracy). Just because something is infinitely copyable doesn't mean it's ok for you to make your own copy without regards to the authors wishes of payment or any other thing. I've pirated most of my stuff (music,movies,games) for most of my life since I had very little extra money to buy these things, but now that I've finished my degree and become employed, I'm buying a lot more stuff, especially those that are worth it. (BTW, I recommend emusic.com for music purchases, it's nice) -- Bruno Medeiros - Software Developer, MSc. in CS/E graduate http://www.prowiki.org/wiki4d/wiki.cgi?BrunoMedeiros#D
Aug 15 2008
Bruno Medeiros wrote:I'm just gonna post a small comment with my opinion on this issue. Pirating music,movies,games,etc., is not the same as stealing physical things. Like Robert mentioned before, in most cases of pirated stuff, if you could not pirate it, it wouldn't mean you would be buying the stuff, so you are not really stealing *money* from the person/company that made the stuff.Actually, I mentioned not all the users who pirate it would get it legit, but some would. For example, consider a $100 product. If 1/5th the people who pirate it would have bought it if tehy could not have downloaded it, you can say that, on average, they're "stealing" $20 from the company. OT: I agree eMusic is cool for high-quality & no DRM, but has their selection improved? I'm on ZunePass which has been fulfilling most of my music needs, but $15 a month will be too much when I go back to school.
Aug 15 2008
Robert Fraser wrote:OT: I agree eMusic is cool for high-quality & no DRM, but has their selection improved? I'm on ZunePass which has been fulfilling most of my music needs, but $15 a month will be too much when I go back to school.I can't say if eMusic has improved, I've subscribed to it fairly recently, dunno much how it was before 2008 for example. So far I've found available most of the stuff I've looked for (70% rough estimate). -- Bruno Medeiros - Software Developer, MSc. in CS/E graduate http://www.prowiki.org/wiki4d/wiki.cgi?BrunoMedeiros#D
Aug 18 2008
I'll make this one post with my opinion, respond if you wish, I won't answer. But nobody's really brought this point up. Violating copyright law is illegal. Whether you think you are in the right or not, it doesn't matter. I happen to think that the copyright law is pretty fair, except for the DMCA, and the ability to hold a copyright pretty much indefinitely. The whole point of copyright law is to allow people to share media without losing your ability to make money from it. Not ideas, but the actual media, whether it be written, audio, video, etc. The point is that it costs a lot of money to make this media, and if there is not some protection from copying, people will not want to share it or make it, and that has a chilling effect on society. Copying music, movies, software, etc. for the purposes of Fair Use is perfectly legal. Fair use means, if I have a CD, and I want to make an MP3 of it, I can copy it so long as I do not give it to someone else so that both of us have the same thing. I would consider copying a piece of software to multiple computers in my own household Fair Use, or burning a CD for my wife Fair Use. But I would not consider copying a piece of software to all my friends' houses Fair Use. The problem with all your ranting about how software should be free is, it doesn't really matter. If they fine you $10k, then will it matter to you? If the throw you in jail, then will it matter to you? No matter whether you think its right or not, it doesn't matter. The law is what matters, and for better or worse, you have to obey it, or you face criminal penalties. Just ask the poor shmucks who all got sued by the music industry if they care anymore whether downloading music illegally is right or not. They might tell you they still think it's ok, but I'm pretty sure they ain't doing it again :) I can't say the same for DMCA, because I think it violates free speech. I think eventually, this law will be overturned if someone pushes it hard enough. If I can come to your house and take your car, does it mean it's ok? It's possible to do, so it should be OK, right? What you have to understand is just because something is possible, doesn't mean it's ok. -Steve
Aug 15 2008
Steven Schveighoffer Wrote:I'll make this one post with my opinion, respond if you wish, I won't answer. But nobody's really brought this point up. Violating copyright law is illegal. Whether you think you are in the right or not, it doesn't matter. I happen to think that the copyright law is pretty fair, except for the DMCA, and the ability to hold a copyright pretty much indefinitely. The whole point of copyright law is to allow people to share media without losing your ability to make money from it. Not ideas, but the actual media, whether it be written, audio, video, etc. The point is that it costs a lot of money to make this media, and if there is not some protection from copying, people will not want to share it or make it, and that has a chilling effect on society.What if law in my country is different from the law in your country? I doubt some countries even have copyright laws. What if tomorrow some revolution creates a new country with open minded people and they say in their country everyone should do what is called pirating in other countries? Then which law is the right one? Laws are not defaults. They are mental constructs. As long as the majority is fooled that the law is something good it works.I can't say the same for DMCA, because I think it violates free speech. I think eventually, this law will be overturned if someone pushes it hard enough.I don't know what DMCA is but it does violates free speech in the same way that copyright laws violates some other free thing (i.e. the right to copy what is copyable). This proves my point (including that I don't know what DMCA is because there is no such thing where I live). Maybe laws are necessary to some degree (once again because most people are dishonest or call it as you wish), but such laws as copyright are purely artificial. Big corporations will push whatever laws they need to force you too pay. Actually you said it in your post. These laws are for the authors to make money, not for freedom. Bottom line: laws are not arguments in a logical dispute. (but you may have point if you live in say US and someone sues you you are screwed. parents need to teach their children how to be more careful when downloading music lol) Btw it is interesting how the opinion of many people living in US/Canada and maybe some western Europe differs from the rest of the world :) Too bad this is probably going to change :) Here is something to think about. Say I pay you for a copy of your software (music etc). What you give me is it the same piece of work that you produced or is it a different one (or both or neither :). If it is the same one and you give it to me you don't have it any more. This is not the case. If it is a different one why should I pay you if you are not giving me your work? Can't be the same and different in the same time. And if it is neither same nor different why should I pay anyway? Bottom line 2: as Yigal Chripun said we need to pay for the service not for physical thing because this is not physical thing. Instead of this pointless discussions why don't we discuss a better business model that could benefit us as developers? Any ideas? :)
Aug 15 2008
On Sat, 16 Aug 2008 02:32:50 -0400, bobef wrote:Steven Schveighoffer Wrote:If you are in a different country, then fine. You are ruled by your government and I am ruled by mine.I'll make this one post with my opinion, respond if you wish, I won't answer. But nobody's really brought this point up. Violating copyright law is illegal. Whether you think you are in the right or not, it doesn't matter. I happen to think that the copyright law is pretty fair, except for the DMCA, and the ability to hold a copyright pretty much indefinitely. The whole point of copyright law is to allow people to share media without losing your ability to make money from it. Not ideas, but the actual media, whether it be written, audio, video, etc. The point is that it costs a lot of money to make this media, and if there is not some protection from copying, people will not want to share it or make it, and that has a chilling effect on society.What if law in my country is different from the law in your country? I doubt some countries even have copyright laws. What if tomorrow some revolution creates a new country with open minded people and they say in their country everyone should do what is called pirating in other countries? Then which law is the right one? Laws are not defaults. They are mental constructs. As long as the majority is fooled that the law is something good it works.I can't say the same for DMCA, because I think it violates free speech. I think eventually, this law will be overturned if someone pushes it hard enough.I don't know what DMCA is but it does violates free speech in the same way that copyright laws violates some other free thing (i.e. the right to copy what is copyable). This proves my point (including that I don't know what DMCA is because there is no such thing where I live). Maybe laws are necessary to some degree (once again because most people are dishonest or call it as you wish), but such laws as copyright are purely artificial. Big corporations will push whatever laws they need to force you too pay. Actually you said it in your post. These laws are for the authors to make money, not for freedom. Bottom line: laws are not arguments in a logical dispute. (but you may have point if you live in say US and someone sues you you are screwed. parents need to teach their children how to be more careful when downloading music lol) Btw it is interesting how the opinion of many people living in US/Canada and maybe some western Europe differs from the rest of the world :) Too bad this is probably going to change :) Here is something to think about. Say I pay you for a copy of your software (music etc). What you give me is it the same piece of work that you produced or is it a different one (or both or neither :). If it is the same one and you give it to me you don't have it any more. This is not the case. If it is a different one why should I pay you if you are not giving me your work? Can't be the same and different in the same time. And if it is neither same nor different why should I pay anyway? Bottom line 2: as Yigal Chripun said we need to pay for the service not for physical thing because this is not physical thing. Instead of this pointless discussions why don't we discuss a better business model that could benefit us as developers? Any ideas? :)
Aug 17 2008
bobef Wrote:Big corporations will push whatever laws they need to force you too pay. Actually you said it in your post. These laws are for the authors to make money, not for freedom.The copyright law doesn't force anyone to do anything, but rather it asks people not take what does not belong to them.Bottom line 2: as Yigal Chripun said we need to pay for the service not for physical thing because this is not physical thing.I doubt very much that someone who is not prepared to pay $40-00 for software if going to then pay $40-00 per hour (i.e. a cost of $40.00+) for some sort of service.Instead of this pointless discussions why don't we discuss a better business model that could benefit us as developers?These better business models are already starting to appear. They include: 1) Reducing the developers wages to counter the lost sales revenue 2) Reducing the number of developers to counter the lost sales revenue 3) Offshoring the entire business to greatly reduce the costs of development Companies have also started to add in greater levels of protection into their software through the use of: 1) Encryption and software activation 2) Moving critical parts of the software from the client to the server and selling access to the server. But these types of changes require very high levels of infrastructure and substantial ongoing running cost, so only the bigger software companies will be in a position to implement them. Companies that fail to move this way will just end up loosing money on their software and will eventually go out of business. Strangely enough the reduced competition will probably make life even better for the bigger software companies that do survive.
Aug 17 2008
If the concept of what we now call "IP" had never been established and no one had ever been compensated in exchange for the time and effort that they expended in creating something (infinitely copiable or not) then I frankly believe that humans as we call ourselves today would not have even evolved. Take the case of cave man Zug... Zug has an idea (ideas are infinitely copiable) for a better spear tip. In order to make it he needs to collect enough materials to make it and spend time turning his idea into a physical object (perhaps even several protottypes). This takes time, time that he would normally spend hunting in order to feed his family. Zug is convinced his idea is worth the short term hardship so he stays up late knapping flints etc. Of couse Zug is worried that his wife and kids (ZJ and Zugette) might go hungry if he is wrong, but if he is right he will be a better hunter and be able to spend more time with them. The new spear tip is a success and everyone in the village wants one so Zug makes a new one for himself and trades the old one for a days worth of food, only Zug's new spear tip is just a little better than the first. Others can make a poor copy of the original, but only Zug who had the original idea can improve upon it, so Zug becomes the village's spear tip making guy, trading spear tips for food and spending his day colecting materials and fabricating instead of hunting. Zug now has the time to explain to his son Zug Jnr how to make the new spear tip and why it is better that the old one and how it can be further developed, the first copy of the idea. If no one respected Zug's IP he would not have had the oportunity to further develop his idea into a product, even going to the effort of making the spear would have put his family in danger. Society as we know it today only exists because our productivity exceeds our requirements which gives people enough time to be creative. Some creativity further boosts our productivity, some is purely artistic and only benefits indirectly by effecting our sence of well being. It is giving ideas a tradeable value just the same as physical objects that allows this all to develop. To say that IP is only an artifact of law is in my opinion nieve. My apologies for the cave man metaphore... A...
Aug 16 2008
"Yigal Chripun" <yigal100 gmail.com> wrote in message news:g83na1$8jb$1 digitalmars.com...Robert wrote:Why do they have a right to use my work but I dont have a right to say how its used, or a right to be rewarded for my work. Why do their rights trump mine?Anyways, music is a pretty bad example, since most online music sites are crap, record companies don't pay artists well, etc., etc. Let's restrict our domain to software, since we're both creators of software (I'm guessing) and it's our work that's being ripped off. Say you quit your day job, took out a loan, and spent two years, 10 hours a day developing a Photoshop-killer. Would you think people had the right to use it without paying you?"Yes, people do have the right to use any software I create and put out in the open. The question you should have asked is this: "_what_ is you business model for such a situation?"I know we are developers and all we want to do is just write code and get paid for it but unless you have a viable business model that's just wishful thinking.In pramatic terms yes, you have to accept that people will steal / pirate your work. So you need a business model that will suceed in spite of that. But it doesnt stop piracy being what it is. An illegal violation of the authors rights.next point: you talked about online alternatives like netflix, itunes, etc. I'll assume you live in the US, and as such you live in a bubble. all those services are limited to the US and Canada. I live in Israel and none of those sites will let me in. Last I checked I tunes only recently allowed for people from Israel to get in and to a very limited subset of stuff (only software, I think). Therefore those are not alternatives for me. Most of the piracy doesn't come from the US where those services are available but from other countries where the "legal" options are much more expensive and no viable "legal" solutions exist.Yes better services / busniness models will help reduce piracy. But that isnt the main reason for it, the main reason, as it has always been, and always will be, is because people will avoid paying for somthing if they dont have to. And moreso if they can mentaly reconstruct the act as a victimless crime. It's the same reason people are more likely to pocket the change if the are overchanged in WalMart than if they were overchanged in small local store ran by a guy they know. It's the same with music / film / software piracy. Most people see it as a victimless crime, they wouldnt pay for most of the stuff they have pirated anyway so what difference does it make? Well there's still some percentage of what they pirate that they probably would have paid for. So it does still hurt developers / producers. I know quite a few developers in the pro audio industry who have seen their sales fall through the floor as soon as their software turns up on bit torrent / rapidshare ect. And I really mean dropped by 80%. It's why so many pro audio companies are adopting hardware dongles. I offer an open challenge to any of freeloaders to put a possitive communist spin on that.To address Mike's post: Your entire post is based on the wrong assumption that software is a product and not a service (of free information). hence, your business model is wrong.You can have a business model that treats it more or less as one or the other but that doesnt actualy make it fundamentaly one or the other. So it's a completely irelevant disnction to make imo. Sure say "a service based business model" is more pragmatic. But its wrong, and of little illumination to say software is a service, and not a product. Actualy if you want to be pedantic you would say a product is a "product of labour", a service is a "supply of labour", so tehcincaly software is more the former than the later. And not to mention that vast amounts of companies still survive and prosper with a product based business model.When the dinosaurs lived 65 billion years ago, there was plenty of oxygen in the atmosphere, when that went down a notch they couldn't breath and got extinct and replaced by more efficient breathers (mammals). The fact is that the level of oxygen were reduced. the choice was to either breath more efficiently or die. same goes here - you need to adapt to the environment not the other way around. you want to make money from your software? than come up with a viable business model. Do not expect everyone to bend over for you. the free market isn't that much different from nature. you don't adapt, you get extinct. I'll say it one more time: "The customer is always right". that's the gist of it.You could use the same analogy to reason away protection rackets, or drug running, or most illegal enterprise. It's just a fact of life, you cant change it, so get on with it. Which to some extent is true, but it doesnt mean we should stop calling those things for what we are.
Aug 16 2008
Jb wrote:"Yigal Chripun" <yigal100 gmail.com> wrote in message news:g83na1$8jb$1 digitalmars.com...Sure, I agree with that. And as long as you call it "piracy", and "copyright violation", I'm on your side. I really only start getting pissed off when you try to call it "stealing" and claim that every single infringement equals a lost sale.Robert wrote:Why do they have a right to use my work but I dont have a right to say how its used, or a right to be rewarded for my work. Why do their rights trump mine?Anyways, music is a pretty bad example, since most online music sites are crap, record companies don't pay artists well, etc., etc. Let's restrict our domain to software, since we're both creators of software (I'm guessing) and it's our work that's being ripped off. Say you quit your day job, took out a loan, and spent two years, 10 hours a day developing a Photoshop-killer. Would you think people had the right to use it without paying you?"Yes, people do have the right to use any software I create and put out in the open. The question you should have asked is this: "_what_ is you business model for such a situation?"I know we are developers and all we want to do is just write code and get paid for it but unless you have a viable business model that's just wishful thinking.In pramatic terms yes, you have to accept that people will steal / pirate your work. So you need a business model that will suceed in spite of that. But it doesnt stop piracy being what it is. An illegal violation of the authors rights.I wouldn't pay for the stuff I pirate. I pirate english movies because I don't like watching German movies. Take Dark Knight. I want to watch it. But I don't want to watch it enough to see the German version, or enough to go and import a DVD. If there were no P2P networks, I would _never_ watch it. So the fact that I'm probably going to pirate it in half a year or so does _not_ equate to a lost sale. FWIW, I pay for many of the games I play. And I have a legitimate reason to download them first - Linux :) There's a high chance that the game won't work anyway.next point: you talked about online alternatives like netflix, itunes, etc. I'll assume you live in the US, and as such you live in a bubble. all those services are limited to the US and Canada. I live in Israel and none of those sites will let me in. Last I checked I tunes only recently allowed for people from Israel to get in and to a very limited subset of stuff (only software, I think). Therefore those are not alternatives for me. Most of the piracy doesn't come from the US where those services are available but from other countries where the "legal" options are much more expensive and no viable "legal" solutions exist.Yes better services / busniness models will help reduce piracy. But that isnt the main reason for it, the main reason, as it has always been, and always will be, is because people will avoid paying for somthing if they dont have to. And moreso if they can mentaly reconstruct the act as a victimless crime. It's the same reason people are more likely to pocket the change if the are overchanged in WalMart than if they were overchanged in small local store ran by a guy they know. It's the same with music / film / software piracy. Most people see it as a victimless crime, they wouldnt pay for most of the stuff they have pirated anyway so what difference does it make?Well there's still some percentage of what they pirate that they probably would have paid for. So it does still hurt developers / producers.But less than is commonly claimed.I know quite a few developers in the pro audio industry who have seen their sales fall through the floor as soon as their software turns up on bit torrent / rapidshare ect. And I really mean dropped by 80%. It's why so many pro audio companies are adopting hardware dongles. I offer an open challenge to any of freeloaders to put a possitive communist spin on that.I'd like to see the numbers on that. Specifically, number of IPs that downloaded the software, as compared to precise sales figures. It sounds like somebody saw their sales going down, and went out to find a reason.I agree with you here. Software is a product if only by virtue of people being ready to buy into the concept that it is. :) But that doesn't change the fact that "software is a product" is an artificial concept, a marketplace model being adapted to sell something it was not intended to sell. Just saying.To address Mike's post: Your entire post is based on the wrong assumption that software is a product and not a service (of free information). hence, your business model is wrong.You can have a business model that treats it more or less as one or the other but that doesnt actualy make it fundamentaly one or the other. So it's a completely irelevant disnction to make imo. Sure say "a service based business model" is more pragmatic. But its wrong, and of little illumination to say software is a service, and not a product. Actualy if you want to be pedantic you would say a product is a "product of labour", a service is a "supply of labour", so tehcincaly software is more the former than the later. And not to mention that vast amounts of companies still survive and prosper with a product based business model.We agree on this. :) However, mainly due to the massive scale of casual copyright violation today, it may be that the era of "software as a product" is quite simply coming to an end. After that point, it would be a shame if people were still put into lifelong debt over laws that have lost all relevance. Well, we'll see where things lead.When the dinosaurs lived 65 billion years ago, there was plenty of oxygen in the atmosphere, when that went down a notch they couldn't breath and got extinct and replaced by more efficient breathers (mammals). The fact is that the level of oxygen were reduced. the choice was to either breath more efficiently or die. same goes here - you need to adapt to the environment not the other way around. you want to make money from your software? than come up with a viable business model. Do not expect everyone to bend over for you. the free market isn't that much different from nature. you don't adapt, you get extinct. I'll say it one more time: "The customer is always right". that's the gist of it.You could use the same analogy to reason away protection rackets, or drug running, or most illegal enterprise. It's just a fact of life, you cant change it, so get on with it. Which to some extent is true, but it doesnt mean we should stop calling those things for what we are.
Aug 16 2008
"downs" <default_357-line yahoo.de> wrote in message news:g86h0t$2dur$1 digitalmars.com...It may not result in a lost sale directly. But if you couldnt get the Dark Knight for free, or couldnt download Photoshop for free, you would probably be more inclined to pay for other things. I mean sure most people who pirate Photoshop wouldn't pay the $200 (or whatever it is) to buy the legit version. But by pirating photoshop they are satisfying a need they have that would likely have to be satisfied by cheaper alternatives. So Adobe may not have lost a sale but someone else has.I wouldn't pay for the stuff I pirate. I pirate english movies because I don't like watching German movies. Take Dark Knight. I want to watch it. But I don't want to watch it enough to see the German version, or enough to go and import a DVD. If there were no P2P networks, I would _never_ watch it. So the fact that I'm probably going to pirate it in half a year or so does _not_ equate to a lost sale.FWIW, I pay for many of the games I play. And I have a legitimate reason to download them first - Linux :) There's a high chance that the game won't work anyway.Well to be honest I do download pirate software / music. But if i use / listen to somthing I generaly pay for a legit version.I'm sure people on both sides exagerate the figures.Well there's still some percentage of what they pirate that they probably would have paid for. So it does still hurt developers / producers.But less than is commonly claimed.Well I dont have sales figures, but i've heard the same story from 3 different developers. Ok 80% was the worst case scenario. That said, it's got to be bad or why would so many pro audio developers, (and some of these are small developers, 1 or 2 employees), go to the trouble of using hardware dongles, which chop 20-30% off their profits? Not only do users have to buy the dongle themselves, developers have to licence the drm software, and the hassle of building it into their apps. And on top off that they loose a fair percentage of existing customers because many people simply wont use dongled products. I guess the point is that even if only 10% of pirate copies equate to a lost sale, or money not spent in the industry, that could very well be 50% of sales for *some* developers. Whether this is just somthing that's particulary bad in the audio software industry I dont know, but of all my musician freinds I cant think of any who would pay for software when they can get it for free. I can remember getting "huh.. you piad for it??" quite a few times when telling them about some new plugin / app i bought. They are happy to spend $4000 on a custom bass, or an electonic kit, or a sampler, but software.. well they dont need to so they dont.I know quite a few developers in the pro audio industry who have seen their sales fall through the floor as soon as their software turns up on bit torrent / rapidshare ect. And I really mean dropped by 80%. It's why so many pro audio companies are adopting hardware dongles. I offer an open challenge to any of freeloaders to put a possitive communist spin on that.I'd like to see the numbers on that. Specifically, number of IPs that downloaded the software, as compared to precise sales figures. It sounds like somebody saw their sales going down, and went out to find a reason.
Aug 16 2008
"Jb" <jb nowhere.com> wrote in message news:g86rhg$2v5q$1 digitalmars.com...I mean sure most people who pirate Photoshop wouldn't pay the $200 (or whatever it is) to buy the legit version. But by pirating photoshop they are satisfying a need they have that would likely have to be satisfied by cheaper alternatives.You're a bit low on that figure. CS3 starts at $650, and CS3 extended is $1000. Then you have software like 3DS Max, which usually _starts_ at $3000, and Maya which is in the $7000 range. To me, it's no real surprise that piracy of programs like these is so rampant. How are hobbyists/small companies supposed to pay for software like this? Yes, you can get student/educational editions of many of these products, but they've got a completely crippled license and they've still got hefty price tags, usually $400-700. I would _gladly_ purchase some of this software if they offered varying levels of it along with commercial licenses. $600 for a stripped-down 3DS Max? Sure, if I'm really into that stuff, why not. But with $3000 I can, oh I don't know, buy a car, or feed myself for a year.
Aug 16 2008
"Jarrett Billingsley" <kb3ctd2 yahoo.com> wrote in message news:g86vqe$4g5$1 digitalmars.com...To me, it's no real surprise that piracy of programs like these is so rampant. How are hobbyists/small companies supposed to pay for software like this? Yes, you can get student/educational editions of many of these products, but they've got a completely crippled license and they've still got hefty price tags, usually $400-700.I dont see why hobbyists and small business have to have Photoshop and 3DS Max.I would _gladly_ purchase some of this software if they offered varying levels of it along with commercial licenses. $600 for a stripped-down 3DS Max? Sure, if I'm really into that stuff, why not. But with $3000 I can, oh I don't know, buy a car, or feed myself for a year.What if you're really into Ferraris.. but cant afford one? To do 3d modeling you dont have to have 3DS Max. There's plenty of other options, even free options. But some people have to have the L33T software. Like some audiophiles have to have oxygen free cables. And this is the main problem with the audio software industry imo. A lot of people want their tracks going through the top of the line plugins, cause they think that'll make 'em sound pro. And they cant afford them so they pirate them. So companies making cheaper ones, which are often just as good, loose sales. (That's not aimed at you btw, just a general rant)
Aug 16 2008
Jb wrote:"downs" <default_357-line yahoo.de> wrote in message news:g86h0t$2dur$1 digitalmars.com...Indeed. GIMP has. Oh wait, they're open-source.I wouldn't pay for the stuff I pirate. I pirate english movies because I don't like watching German movies. Take Dark Knight. I want to watch it. But I don't want to watch it enough to see the German version, or enough to go and import a DVD. If there were no P2P networks, I would _never_ watch it. So the fact that I'm probably going to pirate it in half a year or so does _not_ equate to a lost sale.It may not result in a lost sale directly. But if you couldnt get the Dark Knight for free, or couldnt download Photoshop for free, you would probably be more inclined to pay for other things. I mean sure most people who pirate Photoshop wouldn't pay the $200 (or whatever it is) to buy the legit version. But by pirating photoshop they are satisfying a need they have that would likely have to be satisfied by cheaper alternatives. So Adobe may not have lost a sale but someone else has.So .. is it actually worth it for them? Numbers would be nice :)FWIW, I pay for many of the games I play. And I have a legitimate reason to download them first - Linux :) There's a high chance that the game won't work anyway.Well to be honest I do download pirate software / music. But if i use / listen to somthing I generaly pay for a legit version.I'm sure people on both sides exagerate the figures.Well there's still some percentage of what they pirate that they probably would have paid for. So it does still hurt developers / producers.But less than is commonly claimed.Well I dont have sales figures, but i've heard the same story from 3 different developers. Ok 80% was the worst case scenario. That said, it's got to be bad or why would so many pro audio developers, (and some of these are small developers, 1 or 2 employees), go to the trouble of using hardware dongles, which chop 20-30% off their profits? Not only do users have to buy the dongle themselves, developers have to licence the drm software, and the hassle of building it into their apps. And on top off that they loose a fair percentage of existing customers because many people simply wont use dongled products.I know quite a few developers in the pro audio industry who have seen their sales fall through the floor as soon as their software turns up on bit torrent / rapidshare ect. And I really mean dropped by 80%. It's why so many pro audio companies are adopting hardware dongles. I offer an open challenge to any of freeloaders to put a possitive communist spin on that.I'd like to see the numbers on that. Specifically, number of IPs that downloaded the software, as compared to precise sales figures. It sounds like somebody saw their sales going down, and went out to find a reason.I guess the point is that even if only 10% of pirate copies equate to a lost sale, or money not spent in the industry, that could very well be 50% of sales for *some* developers. Whether this is just somthing that's particulary bad in the audio software industry I dont know, but of all my musician freinds I cant think of any who would pay for software when they can get it for free. I can remember getting "huh.. you piad for it??" quite a few times when telling them about some new plugin / app i bought. They are happy to spend $4000 on a custom bass, or an electonic kit, or a sampler, but software.. well they dont need to so they dont.I admit that appears weird. I'd certainly pay for any software I'd intend to use in anything like commercial or public circumstances. I do hope that I'm not the exception.
Aug 16 2008
"downs" <default_357-line yahoo.de> wrote in message news:g8772n$lda$1 digitalmars.com...Well for sure, Linux has probably lost out aswell because of how easy and how many people pirate Windows.So Adobe may not have lost a sale but someone else has.Indeed. GIMP has. Oh wait, they're open-source.From what I've been told yes. I dont know actual figures cause these are just people (other developers) i've chatted to in forums / mailing lists. One of the main pro audio sites online KvR, there seems to be an anouncment every month or so of that the new version of XYZ will be using Syncrosoft, or Pace, or some such. And then the long customer revolt thread "they'll never get another penny from me"... But I cant see how it couldnt be worth it. Many developers are adopting it, and afaik, none have dropped it yet. And it's been going on for a few years now.Well I dont have sales figures, but i've heard the same story from 3 different developers. Ok 80% was the worst case scenario. That said, it's got to be bad or why would so many pro audio developers, (and some of these are small developers, 1 or 2 employees), go to the trouble of using hardware dongles, which chop 20-30% off their profits? Not only do users have to buy the dongle themselves, developers have to licence the drm software, and the hassle of building it into their apps. And on top off that they loose a fair percentage of existing customers because many people simply wont use dongled products.So .. is it actually worth it for them?You're not the exception, but I dont think you're the rule either.Whether this is just somthing that's particulary bad in the audio software industry I dont know, but of all my musician freinds I cant think of any who would pay for software when they can get it for free. I can remember getting "huh.. you piad for it??" quite a few times when telling them about some new plugin / app i bought. They are happy to spend $4000 on a custom bass, or an electonic kit, or a sampler, but software.. well they dont need to so they dont.I admit that appears weird. I'd certainly pay for any software I'd intend to use in anything like commercial or public circumstances. I do hope that I'm not the exception.
Aug 16 2008
Jb wrote:"downs" <default_357-line yahoo.de> wrote in message news:g8772n$lda$1 digitalmars.com...If I could I'd be on Linux only. In fact, I have installed it for my mom and prefer OSS when possible. Problem is that there are courses at the university that publish material/homeworks/etc in doc format with math-type formulas. Open office cannot show those correctly since the math-type format is proprietary and only available on windows. BTW, Open Office on windows supports OLE and can show those documents if you have math-type installed already. Solving this problem will allow more students to adopt Linux.Well for sure, Linux has probably lost out aswell because of how easy and how many people pirate Windows.So Adobe may not have lost a sale but someone else has.Indeed. GIMP has. Oh wait, they're open-source.
Aug 16 2008
Jb Wrote:Whether this is just somthing that's particulary bad in the audio software industry I dont know, but of all my musician freinds I cant think of any who would pay for software when they can get it for free. I can remember getting "huh.. you piad for it??" quite a few times when telling them about some new plugin / app i bought.Example: I've bought Ableton Live version 1.5 and upgraded to 5. But I sure as hell won't shell out more money for later versions. Why? They finally put in some much needed features which were lacking before (like External Instrument), but in no way are worth the upgrade price; instead they spend all their time and effort developing their own plugins and charging money for it. As if there weren't enough plugins already. Excellent free ones. As if the time wouldn't be spent better on finally delivering much needed features like track folders or bezier automation or ... maybe ... FIXING THE DAMN BUGS! OR SOME MODULARITY! Why has every damn instrument its own filters? Its own overdrive? Its own base waveforms which CAN'T BE USED WITH OTHER INSTRUMENTS! Has nobody ever thought that I could want to use the 24db high pass with AutoFilter or one of Operator's waveforms in Simpler maybe, just for fun? Oh no, we can't do that ... BECAUSE WE FUCKING CHARGE EXTRA FOR EVERY MODULE. The other companies aren't much better. It's just bloat after bloat, feature creep and pretty, blinking, useless interfaces with UI metaphors that worked on a tape machine in the 70ies but don't translate well to a keyboard/mouse interface. They never have. Or take Reason: Now come on! Spend some time delivering a USEFUL ReWire standard with more than two apps at the samt time or ... crazy things like ... AUDIO IN ... and stop wasting time on the 5000th vocoder plugin and, let me tell you, I'm sick of the damn wires. And I'm sick of sitting in front of perfect screen replicas of analog hardware interfaces, because it's a pointless waste of effort. At least Ableton has understood that, but Steinberg does this all the time too. I'm entirely sick of it. Yeah, I torrented the last versions of Live, Reason, Cubase; but after all I've given up anyway. I never reached the productivity I had on my Yamaha RS7000 with any audio software; in fact I stopped making music effectively (this dawned on me some day). Recently I dusted off the RS7000 ... what a pleasure. And I've now switched to Ubuntu anyway, I'm finished with paying for software upgrades that are 10% essential and 90% bloat. Phew. Now I feel better. Sorry for the rant, but I just wanted to explain this former paying customer's reasons for - at least some time - pirating audio software. -Mike
Aug 16 2008
Yigal Chripun wrote:all we want to do is just write codeHere you are implicitely exhibiting a fact about yourself and a preconception about other people. If you really are just writing code then there is no intellectual property of yours in the resulting peace of (des)information. -manfred -- Maybe some knowledge of some types of disagreeing and their relation can turn out to be useful: http://blog.createdebate.com/2008/04/07/writing-strong-arguments/
Aug 16 2008
Yigal Chripun <yigal100 gmail.com> wrote in news:g83na1$8jb$1 digitalmars.com:I've started a new thread so we don't pollute that other one.Just curious: what is the old thread that we're not polluting? -- JMNorris
Aug 16 2008
JMNorris wrote:Yigal Chripun <yigal100 gmail.com> wrote in news:g83na1$8jb$1 digitalmars.com:The one about "tango vs. Phobos" renamed later to "The death of D" which apparently we do continue to pollute...I've started a new thread so we don't pollute that other one.Just curious: what is the old thread that we're not polluting?
Aug 16 2008
This thread has been all about works that are meant for sale, books, music, software. Someone makes the assertion that they have a right to copy. Consider this case; You write a highly poetic and very private piece in an email to your wife. In fact it is so good that if presented in a book, you could make good money out of it. But still, it is very private, and you have no itention of showing it to anyone but your wife. Do others still have a right to copy this if they inadvertently came over it? If the answer to the latter question is yes, then you also accept that anyone have the right to read and know everything written by others, including dictatorial governments towards their political counterparts. I assert that the intention of keeping a private letter away from other's eye is no different than the intention of keeping the work private unless someone pays for it. If you disagree with this, you should also think it is ok by your government to pry on your private information. If you don't think this is ok, but still disagree with me, then you have met yourself in the door. As a person with morals and ethics, you should always honor the authors intentions (the exception could be (and this also normally exists in current frameworks of law) if the author's reasoning for keeping something away from the public is the intention to do bad). Unless the author have explicitly stated the intention is to give the work away for free, you should honor that he wants to be paid, because you need to make the assumption that the author needs at least some of those money to live. That he may earn more if successful is a bonus to him and irrelevant to this case, because only selling one item (which is also possible) quite surely will _not_ be enough to give him what he needs. Such cases could be rectified by the state with enough political will in any case. If you don't think you have an obligation to honor the author, then I will claim that you probably are more morally and ethically flawed than you like to think you are :) I won't claim to be an exception to that group, but I do try to follow the above suggestion of honoring the authors myself. Note that I also think that prices on software seems to be very high in many cases, and I like open source software better than closed source, but I do not think copying it without the author's consent is the way to solve it. Buy the cheaper competition, or become the competition. This is what a modern market place is all about. -- Lars Ivar Igesund blog at http://larsivi.net DSource, #d.tango & #D: larsivi Dancing the Tango
Aug 17 2008
Lars Ivar Igesund Wrote:I assert that the intention of keeping a private letter away from other's eye is no different than the intention of keeping the work private unless someone pays for it. If you disagree with this, you should also think it is ok by your government to pry on your private information. If you don't think this is ok, but still disagree with me, then you have met yourself in the door....As a person with morals and ethics, you should always honor the authors intentions (the exception could be (and this also normally exists in current frameworks of law) if the author's reasoning for keeping something away from the public is the intention to do bad). Unless the author have explicitly stated the intention is to give the work away for free, you should honor that he wants to be paid, because you need to make the assumption that the author needs at least some of those money to live.Very well put. Insightful. Full of truth and a splendid argument. Made me think. Thanks, s
Aug 17 2008
Lars Ivar Igesund wrote:I assert that the intention of keeping a private letter away from other's eye is no different than the intention of keeping the work private unless someone pays for it.You just claimed, that after someone payed for the work he is allowed to put that work into the public at his own will, thereby enabling copying. In fact this has been decided in a case in germany, where someone sold the right to publish private facts exclusive to one newspaper and then wanted to inhibit other newspapers to write about the same facts. Do you want to make your statement above a bit more complicated? -manfred -- Maybe some knowledge of some types of disagreeing and their relation can turn out to be useful: http://blog.createdebate.com/2008/04/07/writing-strong-arguments/
Aug 17 2008
Manfred_Nowak wrote:Lars Ivar Igesund wrote:I agree that it should be revised to: "I assert that the intention of keeping a private letter away from other's eyes is no different than the intention of keeping the work private unless someone pay for the right to read/view it. A right to copy it, or sell on to others, would be an additional widening of the authors intention, and still the readers obligation to honor." As for the case above, I am not sure it is covered by my simple thoughts. FWIW, private facts such as those that are often exclusively paid for by news papers can probably not be considered to be a work by the one who sold it, but rather just information. The seller has sold it to someone else to publicize, and thus his own rights to keep it private have diminished, if for no other reason that it would be difficult to further assert the intention of keeping it private on some level (ie limit to one paper). If the seller wrote a piece (maybe an essay) that was exclusively printed in this paper, I don't the german court would accept that it was printed elsewhere without the express permission from the author. -- Lars Ivar Igesund blog at http://larsivi.net DSource, #d.tango & #D: larsivi Dancing the TangoI assert that the intention of keeping a private letter away from other's eye is no different than the intention of keeping the work private unless someone pays for it.You just claimed, that after someone payed for the work he is allowed to put that work into the public at his own will, thereby enabling copying. In fact this has been decided in a case in germany, where someone sold the right to publish private facts exclusive to one newspaper and then wanted to inhibit other newspapers to write about the same facts. Do you want to make your statement above a bit more complicated?
Aug 17 2008
Lars Ivar Igesund wrote:"I assert that the intention of keeping a private letter away from other's eyes is no different than the intention of keeping the work private unless someone pay for the right to read/view it. A right to copy it, or sell on to others, would be an additional widening of the authors intention, and still the readers obligation to honor."Now, that you have made your statement a bit more complex, you introduced new terms like "author", "copy", "read/view". This terms have a fuzzy definition only and I doubt that anyone is able to define them in advance and sufficient detail. For example the wording does not exclude the case where someone payed for the right to "read/view" a work, encrypts it and then publishes the encrypted work. This would not violate the right he has payed for, because no one can "read/view" the original work. In addition the encrypted work might hold marks of his own "author"-ship, because he himself wrote the encrypting program. Then someone other finds "by accident" the key to the encrypted work, "copies" the encrypted work, decrypts it; then spends no look at the decrypted work, but feeds it into the appropriate compiler; then enjoys the resulting functionality. Is this finder of the key allowed 1) to publish/sell his findings, because he is the "author" of the resulting code/algorithm, which transforms a publicly available peace of (des)information into some functionality? 2) to enjoy the functionality? -manfred -- Maybe some knowledge of some types of disagreeing and their relation can turn out to be useful: http://blog.createdebate.com/2008/04/07/writing-strong-arguments/
Aug 17 2008
Manfred_Nowak wrote:Lars Ivar Igesund wrote:Although it may have appeared that way, I didn't set out to define a framework that covers all cases. My intent was to show that those argumenting for all information (however produced and presented) being freely available, have a bad case as they are likely to have personal information themselves that they won't like being considered free. In fact, I bet that most of those asserting their right to copy media from Pirate Bay, protest the new laws in Sweden removing the right to keep email conversations private. And that is a contradiction showing their hypocrisy. -- Lars Ivar Igesund blog at http://larsivi.net DSource, #d.tango & #D: larsivi Dancing the Tango"I assert that the intention of keeping a private letter away from other's eyes is no different than the intention of keeping the work private unless someone pay for the right to read/view it. A right to copy it, or sell on to others, would be an additional widening of the authors intention, and still the readers obligation to honor."Now, that you have made your statement a bit more complex, you introduced new terms like "author", "copy", "read/view". This terms have a fuzzy definition only and I doubt that anyone is able to define them in advance and sufficient detail. For example the wording does not exclude the case where someone payed for the right to "read/view" a work, encrypts it and then publishes the encrypted work. This would not violate the right he has payed for, because no one can "read/view" the original work. In addition the encrypted work might hold marks of his own "author"-ship, because he himself wrote the encrypting program. Then someone other finds "by accident" the key to the encrypted work, "copies" the encrypted work, decrypts it; then spends no look at the decrypted work, but feeds it into the appropriate compiler; then enjoys the resulting functionality. Is this finder of the key allowed 1) to publish/sell his findings, because he is the "author" of the resulting code/algorithm, which transforms a publicly available peace of (des)information into some functionality? 2) to enjoy the functionality? -manfred
Aug 17 2008
Lars Ivar Igesund wrote:My intent was to show that those argumenting for all information (however produced and presented) being freely available, have a bad case as they are likely to have personal information themselves that they won't like being considered free.I am with you in this. But this does not eliminate the resulting problem of the missing definitions for "information" and "free availability". One needs these definitions if one wants to restrict free availability of information on demand. -manfred -- Maybe some knowledge of some types of disagreeing and their relation can turn out to be useful: http://blog.createdebate.com/2008/04/07/writing-strong-arguments/
Aug 17 2008
Lars Ivar Igesund wrote:Manfred_Nowak wrote:I think you confuse two separate issues here: a) privacy: I _DON't_ want to give information that only I know or No one can pry my brain and take out information by force vs. b) I _DID_ wanted to give the information to someone (say newspaper A). Copyright is about some person A decides to give the information TO person B AND ALSO forcefully deny that person B to make the same decision for themselves.Lars Ivar Igesund wrote:Although it may have appeared that way, I didn't set out to define a framework that covers all cases. My intent was to show that those argumenting for all information (however produced and presented) being freely available, have a bad case as they are likely to have personal information themselves that they won't like being considered free. In fact, I bet that most of those asserting their right to copy media from Pirate Bay, protest the new laws in Sweden removing the right to keep email conversations private. And that is a contradiction showing their hypocrisy."I assert that the intention of keeping a private letter away from other's eyes is no different than the intention of keeping the work private unless someone pay for the right to read/view it. A right to copy it, or sell on to others, would be an additional widening of the authors intention, and still the readers obligation to honor."Now, that you have made your statement a bit more complex, you introduced new terms like "author", "copy", "read/view". This terms have a fuzzy definition only and I doubt that anyone is able to define them in advance and sufficient detail. For example the wording does not exclude the case where someone payed for the right to "read/view" a work, encrypts it and then publishes the encrypted work. This would not violate the right he has payed for, because no one can "read/view" the original work. In addition the encrypted work might hold marks of his own "author"-ship, because he himself wrote the encrypting program. Then someone other finds "by accident" the key to the encrypted work, "copies" the encrypted work, decrypts it; then spends no look at the decrypted work, but feeds it into the appropriate compiler; then enjoys the resulting functionality. Is this finder of the key allowed 1) to publish/sell his findings, because he is the "author" of the resulting code/algorithm, which transforms a publicly available peace of (des)information into some functionality? 2) to enjoy the functionality? -manfred
Aug 17 2008
"Yigal Chripun" <yigal100 gmail.com> wrote in message news:g8adb5$f92$1 digitalmars.com...Copyright is about some person A decides to give the information TO person B AND ALSO forcefully deny that person B to make the same decision for themselves.No it's not. That's not it at all. For example I can give you a recording of a song I wrote. You could work out the tune and melody, and then teach the song to other people. You can even perform the song in public. (at least in the UK). If i gave you a book I wrote you could share the information in the book with other people. You can talk about it, tell them about, you could even write your own book on the subject. What you cant do is copy my book and give it to other people, nor can you copy my book and pass it off as your own work. Copyright does not stop you sharing information. It stops you copying other peoples work. What will it take to get you to understand this?
Aug 17 2008
Jb wrote:"Yigal Chripun" <yigal100 gmail.com> wrote in message news:g8adb5$f92$1 digitalmars.com...that's irrelevant.Copyright is about some person A decides to give the information TO person B AND ALSO forcefully deny that person B to make the same decision for themselves.No it's not. That's not it at all. For example I can give you a recording of a song I wrote. You could work out the tune and melody, and then teach the song to other people. You can even perform the song in public. (at least in the UK).If i gave you a book I wrote you could share the information in the book with other people. You can talk about it, tell them about, you could even write your own book on the subject.again irrelevant.What you cant do is copy my book and give it to other people, nor can you copy my book and pass it off as your own work.two things: A) I now have a copy of your book which I should be able to do what ever I want with it - including copying it, however you just said I can't copy it. hence, you prevented me from doing whatever I want with it. Do you need this to be spelled formally with math? B) passing off someone else's work as my own is not and should never be connected with copyright. The fact that OSS licenses need to specify this in the copyright is ridiculous. this should be by default. No matter if the work is entirely closed source by MS or put in public domain by Walter Bright, you should never be able to steal someone else's credit. This should be handled (I think) by slender laws or something like that.Copyright does not stop you sharing information. It stops you copying other peoples work. What will it take to get you to understand this?when you buy a chair, you own the chair and can do what ever you want with it including manufacturing by yourself a copy of it and give it away for free. you cannot copyright a chair. copyright prevents that for software hence limiting my rights (the inherit rights of the public). this limitation needs to be justifiable and this is the core of the argument. What will it take to get you to understand that??
Aug 17 2008
Yigal Chripun wrote:you cannot copyright a chair.This might be true in the wording, but if it is true in a higher sense: Are you yourself copyrightable? If you are not copyrightable and are moving in public, then: is everyone allowed to make a copy of your body without your consent? Do you think, that you, the original, are worth more than any copy of yours? Otherwise: is it okay for you, that your copy is able to empty your bank-account, because for the bank your copy is indistinguishable from yourself? Please note again, that this is an appeal to a higher sense, i.e. at least assume that the technical issues for copying humans are solvable within a short period of your lifetime. -manfred -- Maybe some knowledge of some types of disagreeing and their relation can turn out to be useful: http://blog.createdebate.com/2008/04/07/writing-strong-arguments/
Aug 17 2008
On Mon, 18 Aug 2008 03:19:18 +0000, Manfred_Nowak wrote:Yigal Chripun wrote:Manfred, I am sorry but I already know how this can be argued against. If he himself makes a copy of himself and gives it to someone, then yes that person is able to make and sell copies of Yigal. The problem here is deciding what rights a creator has and what rights the owner of a copy has.you cannot copyright a chair.This might be true in the wording, but if it is true in a higher sense: Are you yourself copyrightable? If you are not copyrightable and are moving in public, then: is everyone allowed to make a copy of your body without your consent? Do you think, that you, the original, are worth more than any copy of yours? Otherwise: is it okay for you, that your copy is able to empty your bank-account, because for the bank your copy is indistinguishable from yourself? Please note again, that this is an appeal to a higher sense, i.e. at least assume that the technical issues for copying humans are solvable within a short period of your lifetime. -manfred
Aug 17 2008
Jesse Phillips wrote:If he himself makes a copy of himself and gives it to someone, then yes that person is able to make and sell copies of Yigal.Let us wait, whether such argument will indeed come up, because it seems easy defeatable. -manfred -- Maybe some knowledge of some types of disagreeing and their relation can turn out to be useful: http://blog.createdebate.com/2008/04/07/writing-strong-arguments/
Aug 17 2008
On Mon, Aug 18, 2008 at 03:19:18AM +0000, Manfred_Nowak wrote:Are you yourself copyrightable?Of course not, that's absurd. Consider if you were: if a person was copyrightable, he would have the legal power to force his kids not to have any kids of their own - after all, a person's children would be derivative works of himself as far as copyright goes. "Sorry kids, if you don't agree to the EULA for my DNA, I'm going to have to terminate your license to copy it." [!!!] -- Adam D. Ruppe http://arsdnet.net
Aug 17 2008
Adam D. Ruppe wrote:if a person was copyrightable, he would have the legal power to force his kids not to have any kids of their ownNot at all, because 1) "copy" has the connotation of a non canonical mere technical procedure 2) one would have to define reproduction, especially sexual reproduction, to be copying 3) if 2) has been done, then the first child has the legal right to force his parents to have no more childs or---that its parents have had no right to copy it to what it is now, especially if the child is somehow disabled 4) the clinch resulting out of 3) seems unsolvable and a try to establish the above force on one's own kids might be interpretable as an abuse Therefore the main counter argument is provided by 1) and 2): sexual reproduction is not definable to be "copying" -manfred -- Maybe some knowledge of some types of disagreeing and their relation can turn out to be useful: http://blog.createdebate.com/2008/04/07/writing-strong-arguments/
Aug 17 2008
Manfred_Nowak wrote:Adam D. Ruppe wrote:Huh? your logic is unclear to me - how can a child legally force his parents not to have more kids? in what way is it relevant at all if the kid is indeed with some disability?if a person was copyrightable, he would have the legal power to force his kids not to have any kids of their ownNot at all, because 1) "copy" has the connotation of a non canonical mere technical procedure 2) one would have to define reproduction, especially sexual reproduction, to be copying 3) if 2) has been done, then the first child has the legal right to force his parents to have no more childs or---that its parents have had no right to copy it to what it is now, especially if the child is somehow disabled 4) the clinch resulting out of 3) seems unsolvable and a try to establish the above force on one's own kids might be interpretable as an abuse Therefore the main counter argument is provided by 1) and 2): sexual reproduction is not definable to be "copying" -manfred
Aug 18 2008
Yigal Chripun wrote:how can a child legally force his parents not to have more kids? in what way is it relevant at all if the kid is indeed with some disability?Please recall the assumption, that sexual reproduction is defined to be "copying". Your questions seem to be hints, that such a definition will be incompatible with your notion of logic. Illustration: Assume you are confronted with two files "f1" and "f2" in a linux- system. Executing `cmp f1 f2' reveals no differences. When now somebody says, that file "f1" has some attribute, how can one conclude that file "f2" does _not_ have the same attribute? -manfred -- Maybe some knowledge of some types of disagreeing and their relation can turn out to be useful: http://blog.createdebate.com/2008/04/07/writing-strong-arguments/
Aug 18 2008
On Mon, Aug 18, 2008 at 06:21:16AM +0000, Manfred_Nowak wrote:2) one would have to define reproduction, especially sexual reproduction, to be copyingReproduction is copying: From: http://www.google.com/search?hl=en&q=define%3Areproduction&btnG=Google+Search Definitions of reproduction on the Web: * the act of making copies; "Gutenberg's reproduction of holy texts was far more efficient" http://wordnet.princeton.edu/perl/webwn (See the original link for a full list of other definitions, this is only one.)3) if 2) has been done, then the first child has the legal right to force his parents to have no more childs or---that its parents have had no right to copy it to what it is now, especially if the child is somehow disabledThis doesn't follow. The children are derivative works of their parents, not the other way around. Imagine if I took a software library, modified it, and released it under my own license. Good so far (original license permitting, of course). Then I tried to force the original library to also be released under my license. I can't do that. The best I can do is try to talk its authors into re-releasing it under my license; I cannot force them to do so. If forcing the original's license to be changed to match a derivative work was possible, we wouldn't be having this conversation - this thread would never have been created! Now, imagine that software's original license dictated the terms of the licensing of derivative works, like the GNU GPL or most software product licenses do. If I tried to release my modification under anything other than a permitted license, they could sue me for copyright infringement. Why can they sue me and I can't sue them? Simple - they were there first, so the law gives them the power. Same with parents and children in this scenario. The parents were there first, so they would be the ones with the legal power over their children. -- Adam D. Ruppe http://arsdnet.net
Aug 18 2008
Adam D. Ruppe wrote:Same with parents and children in this scenario. The parents were there first, so they would be the ones with the legal power over their children.How can you decide which of two objects is the parent of the other, if sexual reproduction is defined to be "copying", i.e. both objects are holding the same relevant information? -manfred -- Maybe some knowledge of some types of disagreeing and their relation can turn out to be useful: http://blog.createdebate.com/2008/04/07/writing-strong-arguments/
Aug 18 2008
On Mon, Aug 18, 2008 at 06:46:44PM +0000, Manfred_Nowak wrote:How can you decide which of two objects is the parent of the other, if sexual reproduction is defined to be "copying", i.e. both objects are holding the same relevant information? -manfredAge. The one that was there first is the original, and the subsequent ones are the copies. You might not be able to tell the age by directly looking at the data itself (like with a copy of a file), but you can figure it out through other means (possibly the creation date in the file's metadata, or maybe by documentation from another source.) -- Adam D. Ruppe http://arsdnet.net
Aug 18 2008
Adam D. Ruppe wrote:On Mon, Aug 18, 2008 at 06:46:44PM +0000, Manfred_Nowak wrote:Now we are engaged with the core: what is copying? If a copied object is not forced to hold the exactly same relevant information as the original, then how can you prove for differing objects, that one object is indeed a copy of the other? If sufficient similarity is enough for a copy: 1) how do one measure similarity? 2) Is it tolerable, that after some iterated copy steps the rsult can no more considered to be a copy of the original? If age is an allowed attribute for comparing objects: how can one exclude, that none of the objects is the original; i.e. when you compare an uncle with his nephew, but the original was some anchestor of both? -manfred -- Maybe some knowledge of some types of disagreeing and their relation can turn out to be useful: http://blog.createdebate.com/2008/04/07/writing-strong-arguments/How can you decide which of two objects is the parent of the other, if sexual reproduction is defined to be "copying", i.e. both objects are holding the same relevant information? -manfredAge. The one that was there first is the original, and the subsequent ones are the copies. You might not be able to tell the age by directly looking at the data itself (like with a copy of a file), but you can figure it out through other means (possibly the creation date in the file's metadata, or maybe by documentation from another source.)
Aug 18 2008
Again, these debates are taking too much of my time and I'm getting behind schedule on more important things, so this will by my last word. On Mon, Aug 18, 2008 at 10:01:57PM +0000, Manfred_Nowak wrote:If a copied object is not forced to hold the exactly same relevant information as the original, then how can you prove for differing objects, that one object is indeed a copy of the other?if( a is b || a == b ) { writefln("A is a copy of B!"); } I'll leave writing a.opEquals(b) as an exercise to the reader :) But for something like files, doing a bit by bit compare gives a good result. The meta data might be different, but for the purposes of calling it a copy, the main contents are what matters.If sufficient similarity is enough for a copy: 1) how do one measure similarity?Depends on the specific object.2) Is it tolerable, that after some iterated copy steps the rsult can no more considered to be a copy of the original?Like this? auto a = whatever; auto b = a; auto c = b; // here, c == a, so c is still a copy of a. It might have been created through a roundabout process, but the end result is the same. After that, I'd say that once you do any modifications to the new one (something like b++;), you no longer have a copy. It would be a derivative work then.If age is an allowed attribute for comparing objects: how can one exclude, that none of the objects is the original; i.e. when you compare an uncle with his nephew, but the original was some anchestor of both?You can't say this for sure, but in practice, you'd assume whomever says he has the original first gets to be it until someone comes up with evidence to challenge that claim. Above, variable a is considered the original until variable whatever goes ahead and challenges that in court, using a debugging log as evidence to prove that he was there before variable a.-manfred-- Adam D. Ruppe http://arsdnet.net
Aug 18 2008
"Manfred_Nowak" wroteYigal Chripun wrote:No. You cannot copyright physical entities. You can copyright a picture of a person, but that only protects that one picture. If another person took a picture at the exact same time from a different camera, that is not copyright infringement. However, scary stuff is happening with gene patents, so it may in the future be possible for a person to be patented. -Steveyou cannot copyright a chair.This might be true in the wording, but if it is true in a higher sense: Are you yourself copyrightable?
Aug 18 2008
Steven Schveighoffer wrote:You cannot copyright physical entities.My appeal requests a higher sense. Please do not stick to the meaning of a law for a specific country. -manfred -- Maybe some knowledge of some types of disagreeing and their relation can turn out to be useful: http://blog.createdebate.com/2008/04/07/writing-strong-arguments/
Aug 18 2008
Yigal Chripun wrote:Jb wrote:Wow, bad example. Copying a chair is indeed illegal and proven to be so in court. Take the Stressless chair by Ekornes as an example. -- Lars Ivar Igesund blog at http://larsivi.net DSource, #d.tango & #D: larsivi Dancing the Tango"Yigal Chripun" <yigal100 gmail.com> wrote in message news:g8adb5$f92$1 digitalmars.com...that's irrelevant.Copyright is about some person A decides to give the information TO person B AND ALSO forcefully deny that person B to make the same decision for themselves.No it's not. That's not it at all. For example I can give you a recording of a song I wrote. You could work out the tune and melody, and then teach the song to other people. You can even perform the song in public. (at least in the UK).If i gave you a book I wrote you could share the information in the book with other people. You can talk about it, tell them about, you could even write your own book on the subject.again irrelevant.What you cant do is copy my book and give it to other people, nor can you copy my book and pass it off as your own work.two things: A) I now have a copy of your book which I should be able to do what ever I want with it - including copying it, however you just said I can't copy it. hence, you prevented me from doing whatever I want with it. Do you need this to be spelled formally with math? B) passing off someone else's work as my own is not and should never be connected with copyright. The fact that OSS licenses need to specify this in the copyright is ridiculous. this should be by default. No matter if the work is entirely closed source by MS or put in public domain by Walter Bright, you should never be able to steal someone else's credit. This should be handled (I think) by slender laws or something like that.Copyright does not stop you sharing information. It stops you copying other peoples work. What will it take to get you to understand this?when you buy a chair, you own the chair and can do what ever you want with it including manufacturing by yourself a copy of it and give it away for free. you cannot copyright a chair. copyright prevents that for software hence limiting my rights (the inherit rights of the public). this limitation needs to be justifiable and this is the core of the argument. What will it take to get you to understand that??
Aug 17 2008
Lars Ivar Igesund wrote:Wow, bad example. Copying a chair is indeed illegal and proven to be so in court. Take the Stressless chair by Ekornes as an example.are you sure you can put copyright on chairs? that sounds very strange to me. I don't know the details of your example, but are you sure it isn't about patent law rather than copyright law? i.e the original creator patented some design idea (which is information) and so the restriction is on that design idea rather than the chair itself. you cannot copy the chair only as a consequence.
Aug 18 2008
Yigal Chripun wrote:Lars Ivar Igesund wrote:It was about copying the design. Designs are as protected as the written word. Another example in a similar vein is how you can get 10k Euro fines for walking around with inexpensive copies of expensive hand bags. -- Lars Ivar Igesund blog at http://larsivi.net DSource, #d.tango & #D: larsivi Dancing the TangoWow, bad example. Copying a chair is indeed illegal and proven to be so in court. Take the Stressless chair by Ekornes as an example.are you sure you can put copyright on chairs? that sounds very strange to me. I don't know the details of your example, but are you sure it isn't about patent law rather than copyright law? i.e the original creator patented some design idea (which is information) and so the restriction is on that design idea rather than the chair itself. you cannot copy the chair only as a consequence.
Aug 18 2008
"Yigal Chripun" wroteLars Ivar Igesund wrote:You cannot copyright physical entities. You can patent them. However, I think you can trademark the shape/design of something (like the shape of the coke bottle). You can copyright the design of the chair, but then you would have to have the design of the chair published (which would be somwhat uncommon). And even then, someone could copy the design if they understood the meaning of it. Remember, copyright protects the raw content of media, not the meaning of the content. The lawsuit I found with this company involves trademark infringement. -SteveWow, bad example. Copying a chair is indeed illegal and proven to be so in court. Take the Stressless chair by Ekornes as an example.are you sure you can put copyright on chairs? that sounds very strange to me. I don't know the details of your example, but are you sure it isn't about patent law rather than copyright law? i.e the original creator patented some design idea (which is information) and so the restriction is on that design idea rather than the chair itself. you cannot copy the chair only as a consequence.
Aug 18 2008
"Yigal Chripun" <yigal100 gmail.com> wrote in message news:g8amq7$165q$1 digitalmars.com...Jb wrote:No it's not. You claimed copyright stops you sharing information. IT DOESNT. YOU ARE WRONG."Yigal Chripun" <yigal100 gmail.com> wrote in message news:g8adb5$f92$1 digitalmars.com...that's irrelevant.Copyright is about some person A decides to give the information TO person B AND ALSO forcefully deny that person B to make the same decision for themselves.No it's not. That's not it at all. For example I can give you a recording of a song I wrote. You could work out the tune and melody, and then teach the song to other people. You can even perform the song in public. (at least in the UK).No it's not. You claimed copyright stops you sharing information. IT DOESNT. YOU ARE WRONG.If i gave you a book I wrote you could share the information in the book with other people. You can talk about it, tell them about, you could even write your own book on the subject.again irrelevant.Yes becasue I gave it to you under the condition that you wouldnt copy it. IF YOU DONT AGREE WITH THAT CONDITION THEN I WONT GIVE IT TO YOU. THATS WHY ITS CALLED "COPY" -- "RIGHT" Because I am retaining the right top COPY it myself. I am not stopping you sharing the information. As you have erronousely claimed on multiple occaisions. And if you dont like the conditions by which the author is offering the work you are free to look elsewhere.What you cant do is copy my book and give it to other people, nor can you copy my book and pass it off as your own work.two things: A) I now have a copy of your book which I should be able to do what ever I want with it - including copying it, however you just said I can't copy it. hence, you prevented me from doing whatever I want with it.B) passing off someone else's work as my own is not and should never be connected with copyright. The fact that OSS licenses need to specify this in the copyright is ridiculous. this should be by default. No matter if the work is entirely closed source by MS or put in public domain by Walter Bright, you should never be able to steal someone else's credit.So it's wrong to steal the credit for somone elses work, but not wrong to actualy steal the work itslef?I've already said it needs to be limited, to about 20 years. Thanks.Copyright does not stop you sharing information. It stops you copying other peoples work. What will it take to get you to understand this?when you buy a chair, you own the chair and can do what ever you want with it including manufacturing by yourself a copy of it and give it away for free. you cannot copyright a chair. copyright prevents that for software hence limiting my rights (the inherit rights of the public). this limitation needs to be justifiable and this is the core of the argument. What will it take to get you to understand that??
Aug 18 2008
On Sun, 17 Aug 2008 16:07:12 +0000, Manfred_Nowak wrote:Lars Ivar Igesund wrote:I'm a little lost, are we a legal comity trying to right the copyright law so that it can not be misinterpreted? Because I thought it was just to get an understanding of each others views, and it seems to me that you understand Lars's position on this and thus should not need explicit clarification. I myself have requested clarification for the use of the word information, but this is because me and Yigal do not seem to have the same understanding as to what it refers in the context used."I assert that the intention of keeping a private letter away from other's eyes is no different than the intention of keeping the work private unless someone pay for the right to read/view it. A right to copy it, or sell on to others, would be an additional widening of the authors intention, and still the readers obligation to honor."Now, that you have made your statement a bit more complex, you introduced new terms like "author", "copy", "read/view". This terms have a fuzzy definition only and I doubt that anyone is able to define them in advance and sufficient detail. For example the wording does not exclude the case where someone payed for the right to "read/view" a work, encrypts it and then publishes the encrypted work. This would not violate the right he has payed for, because no one can "read/view" the original work. In addition the encrypted work might hold marks of his own "author"-ship, because he himself wrote the encrypting program. Then someone other finds "by accident" the key to the encrypted work, "copies" the encrypted work, decrypts it; then spends no look at the decrypted work, but feeds it into the appropriate compiler; then enjoys the resulting functionality. Is this finder of the key allowed 1) to publish/sell his findings, because he is the "author" of the resulting code/algorithm, which transforms a publicly available peace of (des)information into some functionality? 2) to enjoy the functionality? -manfred
Aug 17 2008
Jesse Phillips wrote:but this is because me and Yigal do not seem to have the same understandingNatural language is full of ambiguities. One can be glad to detect those ambiguities early. Therefore: if one wants to restrict freedom, because one assumes that some or several can benefit from that restriction, then one has to set up unambiguous rules. Rules on how to detect violations, how the lost benefits are to be valued and how the violations should be prosecuted. -manfred -- Maybe some knowledge of some types of disagreeing and their relation can turn out to be useful: http://blog.createdebate.com/2008/04/07/writing-strong-arguments/
Aug 17 2008
On Sun, 17 Aug 2008 19:46:50 +0000, Manfred_Nowak wrote:Jesse Phillips wrote:Yes, but the point was that _you_ had an understanding of what was said or at least where it was going. The problem is not really knowing of the ambiguities, but addressing them. Since language is full of the ambiguities even trying to explain the main idea can lead to more that need to be explained. It is usually more efficient to assume that the idea can be communicated without nitpicking at what was said. Pirating vs stealing, come on. I can agree with what downs is distinguishing here, but I don't see the point. They are both just as wrong as the other and can have the same effects (or at least that is where the argument is).but this is because me and Yigal do not seem to have the same understandingNatural language is full of ambiguities. One can be glad to detect those ambiguities early. Therefore: if one wants to restrict freedom, because one assumes that some or several can benefit from that restriction, then one has to set up unambiguous rules. Rules on how to detect violations, how the lost benefits are to be valued and how the violations should be prosecuted. -manfred
Aug 17 2008
"Lars Ivar Igesund" <larsivar igesund.net> wrote in message news:g899c8$1g9t$1 digitalmars.com...This thread has been all about works that are meant for sale, books, music, software. Someone makes the assertion that they have a right to copy. Consider this case;A very well reasoned and elloquant post. *applauds*
Aug 17 2008
On Fri, 15 Aug 2008 13:54:56 +0300, Yigal Chripun wrote:I've started a new thread so we don't pollute that other one. Lets start from the beginning: we live in a democracy which is a compromise between the right of the individual and the rights of the community he belongs to. One of the rights of the community is the right to public access to any idea/artistic creation any individual has published. The idea behind both laws, patent law and copyright law, is very similar even though they serve two distinct purposes: they give an exclusive time-span to the creator after coming forward with the creation on the expense of that right of the public in order to make it worthwhile for individuals in the community to come up with new ideas and to encourage new ideas and new creations. to answer the specific issues raised: Robert wrote:Alright, let us start from the beginning. What is a right, who gives us this right, and why do we have them? "Yes, people do have the right to use any software I create and put out in the open." This shows that you have given the right to others to distribute your software freely. Who gave you the right to say that that is what they could do? As said before rights are an agreed upon social construct. We namely create this through past experience. To me it seems that your claim is that rights come from the ability to do something. You can copy and distribute which gives you the right to do so. Could you please explain the logic here, and try to keep out who gets hurt by what or what makes the best business model? I claim that the creator has a right to control copies for distribution, and not because it helps him make a living or makes a good business model. This right is extended to him through a social construct because of the lack in physical control of said creation. I wish to re-iterate here what I consider information is in the context that you use it. "Information can refer to a number of things, but only one of them will you get me close to agreeing should be free of charge once released to the public and that is, "Knowledge about a topic." and any combination of bits does not fall into this."Anyways, music is a pretty bad example, since most online music sites are crap, record companies don't pay artists well, etc., etc. Let's restrict our domain to software, since we're both creators of software (I'm guessing) and it's our work that's being ripped off. Say you quit your day job, took out a loan, and spent two years, 10 hours a day developing a Photoshop-killer. Would you think people had the right to use it without paying you?"Yes, people do have the right to use any software I create and put out in the open. The question you should have asked is this: "_what_ is you business model for such a situation?" there are tons of possibilities: I could sell support and consulting services (if it works for Red Hat..) for example. all depends on the size and complexity of the product. say I developed an IDE ( I like IDEs..) I can also make my living by developing custom plugins ordered by customers. What's important to realize is that Software is a service not a product. and each service needs to have its own business model (so the business model appropriate for say an IDE won't suit an online game). I know we are developers and all we want to do is just write code and get paid for it but unless you have a viable business model that's just wishful thinking. next point: you talked about online alternatives like netflix, itunes, etc. I'll assume you live in the US, and as such you live in a bubble. all those services are limited to the US and Canada. I live in Israel and none of those sites will let me in. Last I checked I tunes only recently allowed for people from Israel to get in and to a very limited subset of stuff (only software, I think). Therefore those are not alternatives for me. Most of the piracy doesn't come from the US where those services are available but from other countries where the "legal" options are much more expensive and no viable "legal" solutions exist. To address Mike's post: Your entire post is based on the wrong assumption that software is a product and not a service (of free information). hence, your business model is wrong. When the dinosaurs lived 65 billion years ago, there was plenty of oxygen in the atmosphere, when that went down a notch they couldn't breath and got extinct and replaced by more efficient breathers (mammals). The fact is that the level of oxygen were reduced. the choice was to either breath more efficiently or die. same goes here - you need to adapt to the environment not the other way around. you want to make money from your software? than come up with a viable business model. Do not expect everyone to bend over for you. the free market isn't that much different from nature. you don't adapt, you get extinct. I'll say it one more time: "The customer is always right". that's the gist of it.
Aug 17 2008
Jesse Phillips wrote:Alright, let us start from the beginning. What is a right, who gives us this right, and why do we have them?Let's do this another way. Instead of me trying to explain my POV again I'll refer you to a post: news://news.digitalmars.com:119/mailman.8.1219006500.19733.digitalmars-d puremagic.com this is by Adam D. Ruppe and he explains it much better than I can. he's post is the exact thing I'm trying to claim.
Aug 17 2008
On Mon, 18 Aug 2008 03:08:23 +0300, Yigal Chripun wrote:Jesse Phillips wrote: > Alright, let us start from the beginning. What is a right, who gives > usd puremagic.comthis right, and why do we have them?Let's do this another way. Instead of me trying to explain my POV again I'll refer you to a post: news://news.digitalmars.com:119/mailman.8.1219006500.19733.digitalmars-this is by Adam D. Ruppe and he explains it much better than I can. he's post is the exact thing I'm trying to claim.Adam D. Ruppe wrote: "Then why is this debate about rights? Rights are irrelevant - what matters is the results." Wrong. Don't care about the results. I'm all about the individuals rights. "If your goal is to create an environment where ideas and art flourish, great. That's a good goal, and that is where your defence should be focused." Nope, my goal is to have rules and regulations make it so that people do not interfere with other persons or their property. And to do so people need to have rights, rights that don't interfere with other peoples rights. This creates a big problem with the below suggestion. "Forget all this repetitive talk about rights, and talk about how the law helps or doesn't help achieve this goal (or whatever other goal you want to set). "Copyright law might be a valid way to achieve this goal. It might not be. There might be completely better ways (something I'm convinced of). "Setting a real world goal for the debate lets both sides create an objective test case for their arguments, which would let it finally come to an adequate conclusion." I have set my goal, which heavily uses person's rights. And you have set yours, which is the best business model to have, what was it again, oh yes "information" spread. I have said before that I don't care about best business model and disagree with you as to what information is. I should probably continue on why I feel individual rights are more important than trying to help the world flourish with ideas and invention. People are greedy. My goal tries to tailer to this in a way that will help the flourishing of ideas and invention, yours just says it is a bad thing and should be denied. I do not see it as a bad thing, just a fact and no one should be punished for it (the free market can do that).
Aug 17 2008
Jesse Phillips wrote:On Mon, 18 Aug 2008 03:08:23 +0300, Yigal Chripun wrote:Do you own a mouse? not a real live one, but one that is connected to a PC? if you do, than please click the link I provided. Your entire post answers the *wrong* post. Here's the link again in case I've mistyped it or something: http://www.digitalmars.com/pnews/read.php?server=news.digitalmars.com&group=digitalmars.D&artnum=75179Jesse Phillips wrote: > Alright, let us start from the beginning. What is a right, who gives > usd puremagic.comthis right, and why do we have them?Let's do this another way. Instead of me trying to explain my POV again I'll refer you to a post: news://news.digitalmars.com:119/mailman.8.1219006500.19733.digitalmars-this is by Adam D. Ruppe and he explains it much better than I can. he's post is the exact thing I'm trying to claim.Adam D. Ruppe wrote: "Then why is this debate about rights? Rights are irrelevant - what matters is the results." Wrong. Don't care about the results. I'm all about the individuals rights. "If your goal is to create an environment where ideas and art flourish, great. That's a good goal, and that is where your defence should be focused." Nope, my goal is to have rules and regulations make it so that people do not interfere with other persons or their property. And to do so people need to have rights, rights that don't interfere with other peoples rights. This creates a big problem with the below suggestion. "Forget all this repetitive talk about rights, and talk about how the law helps or doesn't help achieve this goal (or whatever other goal you want to set). "Copyright law might be a valid way to achieve this goal. It might not be. There might be completely better ways (something I'm convinced of). "Setting a real world goal for the debate lets both sides create an objective test case for their arguments, which would let it finally come to an adequate conclusion." I have set my goal, which heavily uses person's rights. And you have set yours, which is the best business model to have, what was it again, oh yes "information" spread. I have said before that I don't care about best business model and disagree with you as to what information is. I should probably continue on why I feel individual rights are more important than trying to help the world flourish with ideas and invention. People are greedy. My goal tries to tailer to this in a way that will help the flourishing of ideas and invention, yours just says it is a bad thing and should be denied. I do not see it as a bad thing, just a fact and no one should be punished for it (the free market can do that).
Aug 17 2008
On Mon, 18 Aug 2008 05:13:23 +0300, Yigal Chripun wrote:Jesse Phillips wrote:mailman.8.1219006500.19733.digitalmars-On Mon, 18 Aug 2008 03:08:23 +0300, Yigal Chripun wrote:Jesse Phillips wrote: > Alright, let us start from the beginning. What is a right, who > gives usthis right, and why do we have them?Let's do this another way. Instead of me trying to explain my POV again I'll refer you to a post: news://news.digitalmars.com:119/server=news.digitalmars.com&group=digitalmars.D&artnum=75179 Ok sorry about that, I wasn't able to access your original news:// link so I had to do a google search on his name and that is what I found. Luckily I have already created a response for this one as well. http://www.digitalmars.com/webnews/newsgroups.php? art_group=digitalmars.D&article_id=75206d puremagic.comDo you own a mouse? not a real live one, but one that is connected to a PC? if you do, than please click the link I provided. Your entire post answers the *wrong* post. Here's the link again in case I've mistyped it or something: http://www.digitalmars.com/pnews/read.php?this is by Adam D. Ruppe and he explains it much better than I can. he's post is the exact thing I'm trying to claim.Adam D. Ruppe wrote: "Then why is this debate about rights? Rights are irrelevant - what matters is the results." Wrong. Don't care about the results. I'm all about the individuals rights. "If your goal is to create an environment where ideas and art flourish, great. That's a good goal, and that is where your defence should be focused." Nope, my goal is to have rules and regulations make it so that people do not interfere with other persons or their property. And to do so people need to have rights, rights that don't interfere with other peoples rights. This creates a big problem with the below suggestion. "Forget all this repetitive talk about rights, and talk about how the law helps or doesn't help achieve this goal (or whatever other goal you want to set). "Copyright law might be a valid way to achieve this goal. It might not be. There might be completely better ways (something I'm convinced of). "Setting a real world goal for the debate lets both sides create an objective test case for their arguments, which would let it finally come to an adequate conclusion." I have set my goal, which heavily uses person's rights. And you have set yours, which is the best business model to have, what was it again, oh yes "information" spread. I have said before that I don't care about best business model and disagree with you as to what information is. I should probably continue on why I feel individual rights are more important than trying to help the world flourish with ideas and invention. People are greedy. My goal tries to tailer to this in a way that will help the flourishing of ideas and invention, yours just says it is a bad thing and should be denied. I do not see it as a bad thing, just a fact and no one should be punished for it (the free market can do that).
Aug 17 2008
On Fri, 15 Aug 2008 13:54:56 +0300, Yigal Chripun wrote:I've started a new thread so we don't pollute that other one. Lets start from the beginning: we live in a democracy which is a compromise between the right of the individual and the rights of the community he belongs to. One of the rights of the community is the right to public access to any idea/artistic creation any individual has published. The idea behind both laws, patent law and copyright law, is very similar even though they serve two distinct purposes: they give an exclusive time-span to the creator after coming forward with the creation on the expense of that right of the public in order to make it worthwhile for individuals in the community to come up with new ideas and to encourage new ideas and new creations. to answer the specific issues raised: Robert wrote:Christopher Wright wrote: "That is my natural right, since it is my ability. I do not claim that it is right or good or just; society defines those, and society is not the source of natural rights." See, I disagree here. The "ability to" is not a right. Let me define it in a round about way. In my little world 'right' means 'correct,' so to have a right is to be able to do something that is correct. That is to say, to be able to do something that is socially acceptable. To say it is a natural right, is just saying that doing so is such a basic and fundamental that it not only shouldn't need to be explained as to why you have it, but should be universal. Unfortunately it is a social construct and those things always take explaining to someone. "But it's pointless to talk about natural rights. You can talk about societal rights or, if you're so inclined, God-given rights." see above. "Well, yes. If fifty armed men showed up at your door and said that all your pillow cases were now theirs, you wouldn't be inclined to argue." No one said you had to argue, you may even claim to others they always own it. But by my definition of a right, 50 armed men don't have the right to claim it as theirs even if you give it to them. "Being a recent invention, intellectual property protection is clearly not a basic right of humans. Not all societies will require it." I really don't care about all societies, just the ones where it exists. "Because intellectual property is a recent invention, its implementations may not be optimal. Unfortunately, a well-defined legal system predates intellectual property, so it's harder to try out different mechanisms for IP protection." Yes I do agree it may not be well defined or have the correct laws surrounding it. I also agree that the legal system is flawed. Luckily that is not my concern for this argument.Anyways, music is a pretty bad example, since most online music sites are crap, record companies don't pay artists well, etc., etc. Let's restrict our domain to software, since we're both creators of software (I'm guessing) and it's our work that's being ripped off. Say you quit your day job, took out a loan, and spent two years, 10 hours a day developing a Photoshop-killer. Would you think people had the right to use it without paying you?"Yes, people do have the right to use any software I create and put out in the open. The question you should have asked is this: "_what_ is you business model for such a situation?" there are tons of possibilities: I could sell support and consulting services (if it works for Red Hat..) for example. all depends on the size and complexity of the product. say I developed an IDE ( I like IDEs..) I can also make my living by developing custom plugins ordered by customers. What's important to realize is that Software is a service not a product. and each service needs to have its own business model (so the business model appropriate for say an IDE won't suit an online game). I know we are developers and all we want to do is just write code and get paid for it but unless you have a viable business model that's just wishful thinking. next point: you talked about online alternatives like netflix, itunes, etc. I'll assume you live in the US, and as such you live in a bubble. all those services are limited to the US and Canada. I live in Israel and none of those sites will let me in. Last I checked I tunes only recently allowed for people from Israel to get in and to a very limited subset of stuff (only software, I think). Therefore those are not alternatives for me. Most of the piracy doesn't come from the US where those services are available but from other countries where the "legal" options are much more expensive and no viable "legal" solutions exist. To address Mike's post: Your entire post is based on the wrong assumption that software is a product and not a service (of free information). hence, your business model is wrong. When the dinosaurs lived 65 billion years ago, there was plenty of oxygen in the atmosphere, when that went down a notch they couldn't breath and got extinct and replaced by more efficient breathers (mammals). The fact is that the level of oxygen were reduced. the choice was to either breath more efficiently or die. same goes here - you need to adapt to the environment not the other way around. you want to make money from your software? than come up with a viable business model. Do not expect everyone to bend over for you. the free market isn't that much different from nature. you don't adapt, you get extinct. I'll say it one more time: "The customer is always right". that's the gist of it.
Aug 17 2008
On Fri, 15 Aug 2008 13:54:56 +0300, Yigal Chripun wrote:I've started a new thread so we don't pollute that other one. Lets start from the beginning: we live in a democracy which is a compromise between the right of the individual and the rights of the community he belongs to. One of the rights of the community is the right to public access to any idea/artistic creation any individual has published. The idea behind both laws, patent law and copyright law, is very similar even though they serve two distinct purposes: they give an exclusive time-span to the creator after coming forward with the creation on the expense of that right of the public in order to make it worthwhile for individuals in the community to come up with new ideas and to encourage new ideas and new creations. to answer the specific issues raised: Robert wrote:Adam D. Ruppe wrote: "Unlike most human rights which prevent you from using force on people except in extreme circumstances (people have a right to life, thus murder is wrong, etc.), copyright permits you to use force on people. This is backward. The burden of proof is on the pro-copyright side." Can I bring up my list twist on the whole give versus take rights thing? Sure you can claim I don't have a right to control distribution of my work, but I can also claim you don't have the right to distribute work (not just mine). This works for the right to life. I can say you actually don't have a right to life, but no one has the right to take it away. You brought up the fact that it really is not about rights and instead the end result. I have made my comments here: http://www.digitalmars.com/ webnews/newsgroups.php?art_group=digitalmars.D&article_id=75199 "But the real world isn't ideal as it is right now. This is where you might be able to justify a copyright law. In the real world, if you devote several months to creating something, you have bills that need to be paid during those months." Frankly I really don't care about the bills either. The true fundamental thing that controls whether I can spend time developing stuff for other people, is if I can get food on the table. And guess what, no matter the lack of copyright/patent laws, it still takes work to to produce food to put on the table. Society has change in a way where not everyone has to work producing the things they need, instead a few people do it and we just pay them. This lets them buy things they want so they can spend time producing the fundamentals. "Another is to work on commission. You create a custom work for someone who pays you ahead of time to create something just for him. This is actually how I make money off my software right now in the real world; I write extremely boring, but highly specialized applications to specific customers. They pay me for a custom fitted program, which I cannot control at all when it is done (the copyright is assigned to the customer.)" You claim your goal is to have ideas flourish. Yet in this scenario you can't create your ideas, you create someone else's. "That is how artists worked through most of history. It's a fairly good model for various kinds of artists, including software developers. Even without copyright, people will probably still want custom-tailored solutions to their own problems and will be willing to pay for it." Don't care if it is a good model, see my beef with ignoring rights. "That result is the only thing that justifies copyright. It isn't about the rights of the creator - he doesn't have the right to use force on people under normal circumstances, so that argument is right out. It is about the end result." Once again I hope you have read my beef with ignoring rights. I just don't see the end result as what justifies copyright. I'm not here to make a Utopia. "In an ideal world, copyright would be an evil. It would do only harm and no good. (As you can probably tell, the definition of the ideal world I'm using here is simply one where bills /don't/ have to be paid. Other than that difference, all things are equal with the real world. I strongly believe that the real world could be adjusted to fit this definition in the near future, if only we had the political will to make some changes.)" You did so well there moving away from Utopia, but you're back. See my first comment. It ain't just the bills, its the food man, the food. Your ideal world just got harder to create. "In the ideal world, the only restriction I'd place on 'intellectual property'..." Wait, stop right there. You don't have a right to place restrictions on something you created. "In the real world, it serves a useful purpose - letting artists work full time without selling originals or working on commission, permitting things to be created that otherwise would be neglected in favor of the artist paying his bills. Thus it is allowed to exist." I think it should exist for a different reason. Assuming the creator has kept his creation private. He is the only one to know of it. The creator has the rights to this creation. He is able to use it as he wishes. Would you not agree with this? I mean, no one knows he has it, so they can't take rights away. So with total control of his new found creation, he creates a legal document that is agreed upon by using the his creation. He has every right to do so, no one knows he has it. His product now has a binding contract that takes affect when the product is used, and he lets his product loose into the wild. So what happened, how did his right to assign a legal document to his product get taken away?Anyways, music is a pretty bad example, since most online music sites are crap, record companies don't pay artists well, etc., etc. Let's restrict our domain to software, since we're both creators of software (I'm guessing) and it's our work that's being ripped off. Say you quit your day job, took out a loan, and spent two years, 10 hours a day developing a Photoshop-killer. Would you think people had the right to use it without paying you?"Yes, people do have the right to use any software I create and put out in the open. The question you should have asked is this: "_what_ is you business model for such a situation?" there are tons of possibilities: I could sell support and consulting services (if it works for Red Hat..) for example. all depends on the size and complexity of the product. say I developed an IDE ( I like IDEs..) I can also make my living by developing custom plugins ordered by customers. What's important to realize is that Software is a service not a product. and each service needs to have its own business model (so the business model appropriate for say an IDE won't suit an online game). I know we are developers and all we want to do is just write code and get paid for it but unless you have a viable business model that's just wishful thinking. next point: you talked about online alternatives like netflix, itunes, etc. I'll assume you live in the US, and as such you live in a bubble. all those services are limited to the US and Canada. I live in Israel and none of those sites will let me in. Last I checked I tunes only recently allowed for people from Israel to get in and to a very limited subset of stuff (only software, I think). Therefore those are not alternatives for me. Most of the piracy doesn't come from the US where those services are available but from other countries where the "legal" options are much more expensive and no viable "legal" solutions exist. To address Mike's post: Your entire post is based on the wrong assumption that software is a product and not a service (of free information). hence, your business model is wrong. When the dinosaurs lived 65 billion years ago, there was plenty of oxygen in the atmosphere, when that went down a notch they couldn't breath and got extinct and replaced by more efficient breathers (mammals). The fact is that the level of oxygen were reduced. the choice was to either breath more efficiently or die. same goes here - you need to adapt to the environment not the other way around. you want to make money from your software? than come up with a viable business model. Do not expect everyone to bend over for you. the free market isn't that much different from nature. you don't adapt, you get extinct. I'll say it one more time: "The customer is always right". that's the gist of it.
Aug 17 2008
Oh dear, I'm going to regret getting involved in this thread. I should just have kept my focus on the compiler... oh well. On Mon, Aug 18, 2008 at 02:22:05AM +0000, Jesse Phillips wrote:Can I bring up my list twist on the whole give versus take rights thing? Sure you can claim I don't have a right to control distribution of my work, but I can also claim you don't have the right to distribute work (not just mine). This works for the right to life. I can say you actually don't have a right to life, but no one has the right to take it away.Fascinating. So if we accept this, what would give you the right to distribute your own work? If I don't have it, why do you?I have made my comments here: http://www.digitalmars.com/ webnews/newsgroups.php?art_group=digitalmars.D&article_id=75199It's getting late where I am, so I might have to reply to that later.Frankly I really don't care about the bills either. The true fundamental thing that controls whether I can spend time developing stuff for other people, is if I can get food on the table.Food is something I clumped in with bills.You claim your goal is to have ideas flourish. Yet in this scenario you can't create your ideas, you create someone else's.This is a way for an artist to pay his bills (buy food, etc.) by doing art. If he can do enough work for other people, this gives him free time to do his own work. However, creating someone else's ideas is still having ideas flourish. I'd love to create illustrated books, but I'm no good at drawing. If I hired an illustrator to draw the pictures for me, those ideas would still be out in the open. I didn't do it all myself, nor did the hired illustrator, but that doesn't make the ideas of any less value to the world.Once again I hope you have read my beef with ignoring rights. I just don't see the end result as what justifies copyright. I'm not here to make a Utopia.Our ethical systems are incompatible. I define justification as being dependent on the results in all cases. Thus, the only rights are those that can be shown to bring good consequences. (Where, of course, good must be defined separately as an axiom.)You did so well there moving away from Utopia, but you're back. See my first comment. It ain't just the bills, its the food man, the food. Your ideal world just got harder to create.I could go into detail about why this isn't a deal-breaker, but it is bed time so I must be brief: food is cheap. A person's food is rather trivially paid for; a person could eat with less than $3000 / year. It isn't difficult to make that much money (in the US anyway), even without a steady job or any special qualifications at all. Housing, on the other hand, is brutal, and still quite necessary.Wait, stop right there. You don't have a right to place restrictions on something you created.I could live with that, but I don't see it as ideal. Keeping names on something is a courtesy* to the creator's ego - it makes the creator happy to have done the work and might build up a good reputation, getting him a job at a later time. This gives him some incentive to keep doing his work. * Note my specific wording in the old post: do not misrepresent the source. I don't propose that including the author's name be /required/, but I don't think anyone should lie about it if asked, and should volunteer the information anyway for the above reason. You can see one reason why I prefer the zlib like license used in Phobos to the BSD license used in Tango here. (Another reason there is a standard library exists in most every program written in the language, so a requirement in its license is a requirement in every license of every program distributed as a statically compiled executable (which I prefer for end user convenience, just run it and go), which I think is just simply a hassle.)Assuming the creator has kept his creation private. He is the only one to know of it. The creator has the rights to this creation. He is able to use it as he wishes. Would you not agree with this? I mean, no one knows he has it, so they can't take rights away.This doesn't mean he has the rights to his creation. This is saying he has the rights to his /self/. I'm not saying he must give up something he creates; in fact, I specifically said the opposite at the top of my long post earlier today. A person cannot be forced to divulge something.So with total control of his new found creation, he creates a legal document that is agreed upon by using the his creation.Why is the creation of this document justified? We are going back to out incompatible ethics again: I don't care about your rights, and you don't care about my consequences, so we'd just be talking past each other. I'll say it anyway though: laws are justified only because of the good they bring society. If it does good, ok, I'll live with it. If not, well, I'll live with it anyway since I don't want to get sued or go to jail, but I won't like it. -- Adam D. Ruppe http://arsdnet.net
Aug 17 2008
On Mon, 18 Aug 2008 01:34:04 -0400, Adam D. Ruppe wrote:Oh dear, I'm going to regret getting involved in this thread. I should just have kept my focus on the compiler... oh well. On Mon, Aug 18, 2008 at 02:22:05AM +0000, Jesse Phillips wrote:"Why is the creation of this document justified? We are going back to out incompatible ethics again: I don't care about your rights, and you don't care about my consequences, so we'd just be talking past each other." Aye, see we now have reached the area where we disagree. I will quote myself here, so you will have no reason to read the other post. "I should probably continue on why I feel individual rights are more important than trying to help the world flourish with ideas and invention. People are greedy. My goal tries to tailer to this in a way that will help the flourishing of ideas and invention, yours just says it is a bad thing and should be denied. I do not see it as a bad thing, just a fact and no one should be punished for it (the free market can do that)."Can I bring up my list twist on the whole give versus take rights thing? Sure you can claim I don't have a right to control distribution of my work, but I can also claim you don't have the right to distribute work (not just mine). This works for the right to life. I can say you actually don't have a right to life, but no one has the right to take it away.Fascinating. So if we accept this, what would give you the right to distribute your own work? If I don't have it, why do you?I have made my comments here: http://www.digitalmars.com/ webnews/newsgroups.php?art_group=digitalmars.D&article_id=75199It's getting late where I am, so I might have to reply to that later.Frankly I really don't care about the bills either. The true fundamental thing that controls whether I can spend time developing stuff for other people, is if I can get food on the table.Food is something I clumped in with bills.You claim your goal is to have ideas flourish. Yet in this scenario you can't create your ideas, you create someone else's.This is a way for an artist to pay his bills (buy food, etc.) by doing art. If he can do enough work for other people, this gives him free time to do his own work. However, creating someone else's ideas is still having ideas flourish. I'd love to create illustrated books, but I'm no good at drawing. If I hired an illustrator to draw the pictures for me, those ideas would still be out in the open. I didn't do it all myself, nor did the hired illustrator, but that doesn't make the ideas of any less value to the world.Once again I hope you have read my beef with ignoring rights. I just don't see the end result as what justifies copyright. I'm not here to make a Utopia.Our ethical systems are incompatible. I define justification as being dependent on the results in all cases. Thus, the only rights are those that can be shown to bring good consequences. (Where, of course, good must be defined separately as an axiom.)You did so well there moving away from Utopia, but you're back. See my first comment. It ain't just the bills, its the food man, the food. Your ideal world just got harder to create.I could go into detail about why this isn't a deal-breaker, but it is bed time so I must be brief: food is cheap. A person's food is rather trivially paid for; a person could eat with less than $3000 / year. It isn't difficult to make that much money (in the US anyway), even without a steady job or any special qualifications at all. Housing, on the other hand, is brutal, and still quite necessary.Wait, stop right there. You don't have a right to place restrictions on something you created.I could live with that, but I don't see it as ideal. Keeping names on something is a courtesy* to the creator's ego - it makes the creator happy to have done the work and might build up a good reputation, getting him a job at a later time. This gives him some incentive to keep doing his work. * Note my specific wording in the old post: do not misrepresent the source. I don't propose that including the author's name be /required/, but I don't think anyone should lie about it if asked, and should volunteer the information anyway for the above reason. You can see one reason why I prefer the zlib like license used in Phobos to the BSD license used in Tango here. (Another reason there is a standard library exists in most every program written in the language, so a requirement in its license is a requirement in every license of every program distributed as a statically compiled executable (which I prefer for end user convenience, just run it and go), which I think is just simply a hassle.)Assuming the creator has kept his creation private. He is the only one to know of it. The creator has the rights to this creation. He is able to use it as he wishes. Would you not agree with this? I mean, no one knows he has it, so they can't take rights away.This doesn't mean he has the rights to his creation. This is saying he has the rights to his /self/. I'm not saying he must give up something he creates; in fact, I specifically said the opposite at the top of my long post earlier today. A person cannot be forced to divulge something.So with total control of his new found creation, he creates a legal document that is agreed upon by using the his creation.Why is the creation of this document justified? We are going back to out incompatible ethics again: I don't care about your rights, and you don't care about my consequences, so we'd just be talking past each other. I'll say it anyway though: laws are justified only because of the good they bring society. If it does good, ok, I'll live with it. If not, well, I'll live with it anyway since I don't want to get sued or go to jail, but I won't like it.
Aug 18 2008